An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.
In French.
Adapted by Peter Hall from George Orwell’s novel, Animal Farm is staged by Year 11 theatre students. The production channels the fable’s political bite through stripped-back staging and physical ensemble work, exploring leadership, propaganda and the corrupting nature of power. The ensemble transforms animals into archetypes, using movement, chorus and concentrated tableaux to build tense, often unsettling atmospheres. The staging balances dark satire with moments of fragile humanity, inviting reflection on authority and collective responsibility.
In English.
Feu au lac ! stages a trio of political puppet pieces that resurrect little-known episodes of Romandy’s social history. Combining rod puppets, archival fragments and live music, the performance balances sharp satire and warm humanity. Conceived from a short piece shown during Cabaret en chantier 2024, the triptych revitalizes political marionette theatre while offering a rhythmic, musical staging that sparks reflection and collective energy. The creative approach foregrounds material histories and the power of popular resistance.
In French.
Curated by Frédéric Post and Sonia Perego, MOS ESPA offers an unplugged, immersive festival framed as a barefoot, cocoon-like listening experience. The program features performances by Léna Hiriartborde, Yann Leguay, Julian Sartorius, Pali Meursault and others, blending field recordings, amplified objects, acoustic traditions and electronic textures. Site-specific installations and wooden instruments crafted by a participating maker lend a handcrafted intimacy, while sparse lighting and spatialised sound create close, contemplative atmospheres that favour shared, intense musical moments.
Mos_Espa is a project best experienced barefoot, in socks, slippers, or leather boots. You will be asked to leave your shoes and phone in the cloakroom. For this edition without electricity, credit card payments will not be accepted; cash only.
Directed by Françoise Courvoisier, this theatrical adaptation stages two periods of Grisélidis Réal’s life simultaneously, split between a dignified elder confronting illness and a vibrant earlier self. Martine Schambacher and Françoise Courvoisier embody these contrapuntal figures.
In French.
The MEG and the Grand Théâtre de Genève join forces for a special Apéropéra around the Svatbata production, in dialogue with the museum’s permanent collection. Expect a vibrant urban aperitif with live musical performances, sprinkled with contemporary anecdotes that offer a fresh, witty take on the opera.
In French.
Quatuor Terpsycordes offers an intimate reading of Haydn’s String Quartet No. 22, blending classical clarity with expressive warmth. The four instruments engage in crisp, conversational interplay, where nimble phrasing and sculpted dynamics reveal wit and tenderness. The programme emphasizes formal balance and close listening, drawing out subtle rhythmic sparks and lyrical lines. The performance invites concentrated attention, unfolding moments of airy humour, poised restraint and lingering melodic grace.
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