Quickkopy Conceptualism explores transatlantic links between Bay Area Dada and punk through archival and contemporary works. Drawing on the Ecart archive and postal networks, it presents fanzines, collages, and audiovisual materials that challenge meaning, authority, and institutions.
Curated with visiting scholar Branden W. Joseph, the exhibition highlights DIY and epistolary practices within avant-garde communities.
Opening: Wednesday 13 May, 18:00
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
Carlos Schwabe’s retrospective traces the symbolism and pictorial imagination that defined his practice. Trained in Geneva, Schwabe is celebrated for evocative book illustrations and ambitious pictorial compositions that blend allegory, myth and musical ideas. The exhibition presents paintings, illustrations and preparatory drawings drawn from public and private Swiss and French collections, exploring technique, materiality and the spiritual and literary currents that shaped his visual language around the turn of the twentieth century.
This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.
Opening : Wednesday, May 6 at 16:00
Curator-led tours (In French) : 9 – 10 May, 14 June
Vladimir Kartashov presents site-specific installations that unfold across historic island spaces, exploring temporal sequences and memory. Through sculptural interventions, architectural adaptations and subtle interventions in sacred interiors, the artist stages a choreography of objects and light that reconfigures perception of place and time. The series juxtaposes material rigor with ephemeral gestures, inviting reflection on duration, ritual and the layered histories embedded in built environments.
Opening: Friday 8 May, 19:30
In the presence of the artist
Musical performance by Manuel d’Amico Principle Double Bass of the Orchestra Regionale Filarmonia Veneta
HiFlow launches Quand le vivant nous fait agir, a year-long programme that explores how living systems can inspire new ways of thinking and acting. Bringing together artists, researchers, designers, entrepreneurs and thinkers, HiFlow becomes a space for experimentation and dialogue around more sensitive and sustainable futures. The first chapter, “Hybridations fertiles”, transforms the venue into a living laboratory through a collective exhibition, off-site projects, conferences, performances and workshops at the crossroads of art, design, life sciences and hybrid technologies.
French photographer Chloé Azzopardi presents a speculative photographic project that imagines alternative modes of cohabitation with the living. Composed from gathered natural elements, her “non technological devices” mimic everyday technological objects while operating as prosthetic extensions and obstructions. Between rudimentary craft and science‑fiction, these hybrid artefacts and newly invented objects propose an iconography of ecological self‑defence and generate visual resources for collective imaginaries.
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