Meryl has emerged as a defining voice of her generation, revealed by the 2019 single Béni and followed by the EP Ozoror (2023) and her debut album Caviar I (2024). Nominated at the Victoires de la Musique and Les Flammes in 2024, her songs blend intimate lyricism with bold melodic textures. Presented by Voix de Fête and Inouïe, this concert foregrounds the voice, moving between hushed confession and soaring chorus, with close musical interplay.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Directed by Gabriel Alvarez, this revival brings back two landmark pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale. It pays tribute to Valère Novarina, animating the sonic, visual, semantic and rhythmic material of his language. The performance unfolds as a poetic origin tale that simultaneously suggests the birth of things and the approach of an ending, privileging vocality, dense textual textures and theatrical rupture.
In French.
Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.
In French.
Elena Gabrielle presents an intimate solo performance that weaves personal storytelling with sharp observational humour and lyrical moments. Her delivery blends precise timing, candid vulnerability and narrative clarity, drawing the audience into reflections on identity, relationships and modern life. The staging is pared-back to spotlight voice and presence, allowing subtle shifts in tone to reveal both wit and tenderness. The result is a richly human and quietly powerful evening.
In English.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Led by conductor Matthieu Schweyer, Orchestre Concertus presents Mozart’s Requiem with soloists Alida Barbasini (soprano), Mi‑Young Kim (mezzo‑soprano), Daniel Duri (tenor) and Seong‑Ho Han (bass). The performance balances intimate choral passages and thunderous orchestral climaxes, exploring grief, transcendence and ritual. Sparse orchestration and dramatic vocal lines are shaped with attention to dynamic contrast and vocal colour, creating a moving, cinematic soundworld that alternates between hushed prayer and overwhelming intensity.
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