Wednesday 4 November, 14:00

History and discovery of an exceptional greenhouse

Free, booking required

Baroness Julie Caroline de Rothschild’s 19th‑century greenhouse, built in the 1880s from Canadian Pitch Pine, presents a living archive of botanical rarities. Succulents, palms, citrus and orchids stand alongside the iron-and-glass architecture, revealing intersections between horticulture, material craft and colonial-era plant collecting. The greenhouse’s preserved structure and curated plant collections evoke histories of taste, conservation and botanical display. Gardeners who tend the living holdings continue a dialogue between historical legacy and contemporary stewardship.

Chemin de l'Impératrice 1,
1292 Chambésy, Switzerland
{"title":"History and discovery of an exceptional greenhouse","description":"\u003Cp\u003EBaroness Julie Caroline de Rothschild's 19th\u2011century greenhouse, built in the 1880s from Canadian Pitch Pine, presents a living archive of botanical rarities. Succulents, palms, citrus and orchids stand alongside the iron-and-glass architecture, revealing intersections between horticulture, material craft and colonial-era plant collecting. The greenhouse\u2019s preserved structure and curated plant collections evoke histories of taste, conservation and botanical display. Gardeners who tend the living holdings continue a dialogue between historical legacy and contemporary stewardship.\u003C\/p\u003E","start_date":"2026-11-04","end_date":"2026-11-04","date":"Wednesday 4 November, 14:00","timings":[{"timing_start_date":"20261104T140000Z","timing_end_date":"20261104T150000Z"}]}
Photo Credit: Jardin Botanique de Genève

You might also like

16 – 27 September

Aldo Locatelli presents a diverse body of work spanning decades, rooted in experimentation and improvisation.
Paintings in oil, mixed-media pieces, ink drawings, sculptures, floral assemblages under plexiglas and repurposed objects converse through a tactile visual language. His practice moves between abstraction and figuration, privileging matter, color and gestural mark-making to explore observation, the living world and unexpected material affinities. The show reveals a restless creativity driven by curiosity, collage-like associations and continual recomposition.

Opening: Wednesday, 16 September, 18:00
Closing event: Sunday, 27 September, 17:00

16 September – 10 October

Pierre La Police presents a retrospective of his work, spanning contemporary comics, digital art, installations, video and short film. Renowned for an absurdist sensibility and skewed humour, his practice blends hand-drawn sequences with experimental visual techniques and digital processes. The show traces recurring motifs—playful disruption, narrative fragmentation and visual experimentation—offering a layered survey of an artist who has expanded the language of comic art into installation and moving image.

30 May – 11 October

Photographer Léonie Rose Marion presents a long-term photographic inquiry into the relationship between people and the land. This exhibition gathers documentary images and in‑situ portraits that document those who work the soil around Meyrin, focusing on agricultural practices, gestures and material traces. Through stark, intimate portraits and contextual landscapes, Marion maps the social and territorial fabric that binds inhabitants to the living world. The series examines intergenerational knowledge, everyday labour and the networks of care that sustain local ecologies.

31 August – 19 September

La Fonte is a cultural space located in the Halles de la Fonderie in Carouge. These former workshops, made available by the City of Carouge, host a variety of community and cultural activities each year, including a refreshment area, concerts, artist residencies, workshops, and exhibition and lecture series. The eponymous collective is responsible for programming and organizing these events.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

16 September – 28 November

Beninese-born artist Roméo Mivekannin presents a series of paintings that investigate intimacy, memory and cultural identity. Working predominantly in acrylic on canvas, his canvases combine figurative portraiture with bold colour fields and textured surfaces. Works such as Anna in Red Kimono (2024) demonstrate a careful attention to costume, gesture and materiality, negotiating personal narrative and broader diasporic histories. The exhibition emphasises painterly craft and the tensions between representation and abstraction.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Newsletter

Culture, curated weekly.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Forgot your password?

Sign Up

Create your Account and Culture Up!