Le Point Favre offers Banbourg the chance to take the stage for an exceptional musical evening. Known as a maverick in the Swiss music scene, Banbourg, with five albums to his name, will immerse you in his sensitive and groovy world. Expect surprises, possibly with special guests joining him on stage to enhance this unique experience. If you enjoy artists like Bertrand Belin, Benjamin Biolay, or Alain Bashung, this concert is a must-see!
Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.
In French.
Quiet Man is a rising figure in British folk whose airy arrangements and hypnotic voice invite introspective listening. Originating from London and based in Glasgow, he is known for minimalist, emotive songwriting that blends fragile melodies with intimate textures. Having opened for Fred Again.., Medium Build and Harrison Storm across the UK and Ireland, his debut EP Oversensitive (2025) earned BBC attention and established him as one to watch on the contemporary folk scene.
Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
Nicolas Fayol performs a striking solo that confines the body to a 1.5‑metre landscape, exploring what a man becomes when he can no longer stand. Through contortions, breaths and improvised encounters between hands and feet, he invents new physical vocabularies that blend acrobatics, yoga and hip‑hop. Bathed in precise lighting and accompanied live by the duo Mont Analogue, the piece shifts between animal, child and prehistoric forms, offering a tactile, intimate meditation on human posture and transformation.
Directed by Joël Maillard and adapted from Nina Yargekov’s novel, Double nationalité is a choral theatrical investigation into identity and its contradictions. Four actresses — Cécile Goussard, Mélina Martin, Alicia Packer and Marie Ripoll — embody a single heroine and the chorus of her inner thoughts, navigating bilingual disorientation, memory and fantasy. Mélissa Rouvinet’s scenography, Antoine Françoise’s music and Édouard Hügli’s lighting create a dreamlike, often sharp atmosphere. Production by Cie SNAUT; costumes by Coralie Chauvin and sound by Cédric Simon.
In French.
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