Bizet’s opera “Carmen” will be performed by the Concertus Orchestra and the Orphée Vocal Ensemble, conducted by Matthieu Schweyer, at Victoria Hall. Notable soloists include Nora Sourouzian as Carmen, Louis Zaitoun as Don José, Karine Mkrtchyan as Micaëla, and Sacha Michon as Escamillo. The children’s choir will also participate in this production.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Led by Edwin Sanz, Jazz Night Latina gathers musicians and enthusiasts around vibrant Latin rhythms. The programme explores salsa, cumbia, merengue and Latin jazz through tight grooves, lively improvisation and moments of communal exchange. Soloists take turns to push creative boundaries while the ensemble blends danceable beats with nuanced phrasing, creating a warm, festive atmosphere that highlights musical conversation and improvisational energy. Listeners are invited to share the experience.
Singer-songwriter Zora offers an intimate acoustic set that unfolds like a suspended reverie. Her warm voice and pared-down guitar trace delicate melodies, exploring longing and quiet joy through spare, lyrical songs. The performance favors close listening, with subtle dynamics and moments of hush that invite reflection. Sparse arrangements and natural resonance create a fragile, luminous atmosphere, transporting listeners into a contemplative evening of honest storytelling and soft, emotive soundscapes.
In French.
Juliette Pym (bass) and Bonella Holloway (keys) form Générique Mardi, a duo channeling the raw energy of no wave through hushed, bittersweet melodies and spoken-word passages. Their intimate set balances shadowy atmospheres and brittle pop textures, unfolding small, domestic crises into charged miniatures. Sparse arrangements leave space for tension and wit, where melodic hooks hover between nostalgia and unease. The performance favors subtle dynamics and close attention to timbre, inviting attentive listening.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
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