A poetic and intimate performance that moves away from traditional circus spectacles focused on acrobatics. Blending elements of commedia dell’arte with the absurdity of Waiting for Godot, the show follows father and son, Danny and Pepijn, as they navigate memory, absence, and connection. Rich in music, clowning, and humor, the piece creates moments of grace and sensitivity, reflecting on tradition, relationships, and the world around them.
An evening centered on the theme of adulterous love awaits you at the Foyer of the Grand Théâtre de Genève. Experience selections from Debussy’s “Pelléas et Mélisande,” alongside more lighthearted pieces by Offenbach and Poulenc, performed by soprano Charlotte Bozzi, tenor Jean Miannay, bass Mark Kurmanbayev, and pianist Xavier Dami. This is a musical and poetic exploration of infidelity, rich with emotion and humor.
The Old Masters present “The Painting Horse” at Maison Saint-Gervais. This performance features a trio of performers in a horse costume, blending the human and the animal. Through this hybrid character, they explore freedom and artistic creation with a playful and philosophical approach, delving into the desire to create.
In French.
In “L’Aquarium,” Calaferte delves into the monotony and routine of a couple after many years together. Set during a fall evening, this comedy highlights how former passionate partners become unable to surprise each other, trapped in their daily lives much like fish swimming in circles in an aquarium. The humor emerges from everyday situations, skillfully captured by the author.
In French.
Les Gros patinet bien is a wildly inventive comedy featuring just two performers and 150 cardboard boxes. The show follows a plump, Shakespearean-style storyteller who narrates a chaotic European escape tale while remaining seated, and his hyperactive, silent sidekick who acts out the entire journey around him. With roller skates, scooters, planes, and even a mule, the duo creates a hilarious, high-energy performance full of physical comedy, absurdity, and imagination. This clever mix of stillness and motion earned the show the 2022 Molière Prize for Best Public Theatre.
In French.
Compagnie Le Monde au Balcon.
Camille Broquet and Marion Pouvreau inject humor and modernity into Gustave Flaubert’s “Madame Bovary,” blending a faithful adherence to the original text with a contemporary perspective. They reimagine the fate of Emma Bovary, highlighting provincial ennui and marital dramas with wit and tenderness. This lively and intelligent performance breathes new life into a frequently misunderstood classic, demonstrating its ongoing relevance. The staging combines improvisation, voiceover, and absurd humor to engage the audience from start to finish. Written and performed by Broquet and Pouvreau, with direction by Edward Decesari.
In French. Ages 12 and up.
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