Choreographer Soa Ratsifandrihana brings together four performers with diasporic roots to explore themes of identity, connection, and individuality through dance and song. Titled Fampitaha, fampita, fampitàna (Malagasy for comparison, transmission, rivalry), the piece celebrates shared cultural expression. It is accompanied by the podcast Rouge cratère, a personal and political reflection on Madagascar, colonization, and the embodied experience of diaspora.
The Old Masters present “The Painting Horse” at Maison Saint-Gervais. This performance features a trio of performers in a horse costume, blending the human and the animal. Through this hybrid character, they explore freedom and artistic creation with a playful and philosophical approach, delving into the desire to create.
In French.
In “L’Aquarium,” Calaferte delves into the monotony and routine of a couple after many years together. Set during a fall evening, this comedy highlights how former passionate partners become unable to surprise each other, trapped in their daily lives much like fish swimming in circles in an aquarium. The humor emerges from everyday situations, skillfully captured by the author.
In French.
Eugène Ionesco’s “The Bald Soprano” is a quintessential work of absurdist theater, depicting the nonsensical and tedious interactions between two couples, the Smiths and the Martins. The arrival of the Fire Chief and the maid Marie sparks surreal situations and unexpected outbursts, before the Smiths dismiss the unlikely visitors and return to their original monotony. This production, directed by Cyril Kaiser, features puppets by Christophe Kiss alongside actors Vincent Babel, Nicole Bachmann, Blaise Granget, and Vanessa Battistini.
This performance is part of the Scène Vagabonde Festival.
In French.
“Master Class” takes us back to 1971, where Maria Callas shares her vocal insights and artistic ideals at the Juilliard School. Adapted by Pierre Laville and directed by Michel Favre, the play highlights the unwavering dedication and passion required to master the art of singing. Maria Mettral brings the legendary diva to life with remarkable depth and intensity, supported by Lorianne Cherpillod, Sarah Pagin, Erwan Fosset, and Nicolas Le Roy on piano.
The Ensemble Les Illuminations continues its commitment to contemporary women composers with their concert Vera Vita Viva. Featuring a new work by Claire-Mélanie Sinnhuber for five instruments, the piece weaves together baroque timbres and contemporary colors, sacred and profane, tracing a musical thread from Élisabeth Jacquet de La Guerre to Kaija Saariaho, Ethel Smyth, and Sofia Goubaïdoulina, where memory and invention engage in a continuous dialogue.
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