16 September – 15 October

Xinyi Hu – Between Form and Use, Where Gestures Begin

Xinyi Hu transforms familiar domestic objects—mirrors and tables—into evolving ceramic forms that visitors are invited to activate. Between sculpture and utility, her modular pieces recalibrate everyday gestures: looking, gathering, leaning. The works demand bodily adaptation and invent new uses, making the moment of the artwork’s emergence depend on embodied engagement. Through tactility and careful material language, Hu examines presence, relationality and the thresholds where form becomes action.

Rue Rodolphe-Tœpffer 11,
Switzerland
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Photo Credit: DR

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Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.

16 September – 3 October

Gisèle Bonin presents Fragiles, an exhibition of drawings, photography and installation that examines fragment, memory and intimate loss. Using sanguine, graphite and charcoal, Bonin composes delicate, grain‑sensitive surfaces where bodily fragments become sites of presence and silent testimony. The work reflects on exile and absence, revealing how gestures of drawing and measured installation practices hold traces of difficult histories without explicit narration.

30 July – 31 October

Puissance 5 brings together five women artists from different generations in a dialogue between matter and spirit. Their intersecting trajectories produce works where gravity, metal, graphite and cosmic imagery become recurring motifs. The exhibition presents pieces in metal, pencil and mixed media that interweave tactile presence and poetic restraint, exploring materiality, perception and the enduring force of feminine creation across time and space.

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3 September – 10 October

Ianne Kenfack Kitio continues her inquiry into representations of Black femininity and the construction of identity. In this photographic work, produced as a cyanotype, she treats the image as a space of transformation rather than a fixed depiction. The piece links material and concept: its blue evokes Ndop indigo textiles of the Grassfields and the artist’s Bamiléké heritage, while the cyanotype’s gradual emergence mirrors identity as an ongoing process of thresholds and metamorphosis.

Opening: 3 September, 18:00

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