Presented by company UB and performed by Lia Léveillé, Valérie Tacheron, Lionel Perrinjaquet and Vincent Buclin, this dinner-theatre unravels an unsolved murder through staged testimony and close-up clues. The piece blends investigative structure with intimate tableaux, punctuated by moments of dark humour and sustained suspense. Lighting and sound sculpt shifting moods while actors move the audience into the isolated night of the crime, creating a tense, participatory theatrical experience.
Thierry Lhermitte presents an original creation by Charles Pépin, inspired by his essay “La rencontre, une philosophie”. Blending readings, literature, philosophy, poetry, film dialogue, and music, the performance explores the many forms of human connection—romantic, friendly, professional, spiritual, and artistic. It is a moving philosophical journey that reflects on how encounters can transform us and reveal who we are.
In French.
Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Choreographers and performers Katerina Andreou and Mélissa Guex devise SHOUT TWICE as a physical, hybrid concert-performance where the body and voice become material. The piece transforms raw cries into collective energy, mixing movement, vocal textures and improvised dynamics. Intense and immediate, the work invites shared ritual, opening space for excess, play and communal release. The staging is nomadic and non-verbal, driven by bodily resonance and embodied sound.
Samir Kennedy and Sean Murray present “It’s got legs!!!!!!” at Maison Saint-Gervais. Their performance delves into economic, social, and intimate precarity by engaging with femininity, masculinity, liminal identities, and queer existentialism. Embracing a DIY aesthetic, recycled objects, and theatrical machinery, they craft a raw microcosm for a bold, subversive revue that explores the dizzying complexity of existence.
In French.
Performed by Nazanin Noori and developed during a curatorial residency by Jade Meili Barget, this performance investigates presence, memory and the politics of gesture through a concentrated solo practice. The piece unfolds through attentive, tactile scores and restrained physicality, inviting close listening and embodied reflection. Lighting and sound sculpt shifting atmospheres that frame intimate gestures, while the work balances formal rigor with quiet emotional openness, leaving space for contemplation.
Bold and poetic, “Insuline” is a powerful denouncement of virilist and heteronormative excesses. Combining the sharp words of Lou Lepori, the music of Marc Berman, and the performance of Cédric Leproust, this fiery recital challenges conventions and unspoken norms. This queer show, driven by tumultuous and subversive expression, celebrates a body that rejects imposed normality.
In French.
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