11 – 22 February

VideoDatabase – 1st Carte Blanche : Éléonore Bernard

FMAC

Free

Conservator-restorer Éléonore Bernard presents a curated selection of pioneering video artworks from the 1980s and 1990s. The program gathers single-channel and experimental pieces that foreground the materiality of analog videotape: magnetic signal plasticity, audiovisual disturbances, image deconstruction, superimpositions and transparency.
Works range from introspective performances and bodily studies to subtle subversive gestures and feminist utopias, using montage, tape artifacts and layered imagery. The selection reveals how early video practices explored error, repetition and ritualistic modes of attention.

Chemin du 23-Août 5,
1205 Genève

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Photo Credit: Muda Mathis et Pipilotti Rist, Die Tempodrosslerin saust, 1989. Collection du Fonds d’art contemporain de la Ville de Genève (FMAC) – Fonds André Iten

17 September – 7 March

Soft Gravity

Art & Exhibits

Domum

In Soft Gravity, Domum delves into the materiality and sensuality of forms through a multitude of contemporary voices in design and creation. Imagined as a sensitive constellation, the exhibition showcases suspended, fleshy, and sculptural shapes that intertwine. It invites visitors to an experience that balances between fragility and strength, memory and presence.

Opening: Thursday 13 November, 18:00 – 21:00

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10 December 2025 – 19 April 2026

Elles. Contemporary Indigenous Artists

Art & Exhibits

Musée Rath

ELLES brings together powerful contemporary Aboriginal women artists whose work bridges ancestral storytelling and modern abstraction. Featuring major figures such as Emily Kam Kngwarray and Mirdidingkingathi Juwarnda Sally Gabori, alongside artists from the Bérengère Primat Collection / Fondation Opale, the exhibition at the Musée Rath highlights symbolic, vibrant works rooted in land, memory, and spirituality. Between tradition and contemporary expression, these intimate visual cartographies celebrate the deep connection between culture, nature, and creation.

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22 January – 21 February

NIELS HUNG – Curiosity Never Killed The Cat

Art & Exhibits

Palais de l'Athénée

Niels Hung, a graduate of HEAD–Genève, investigates his multicultural identity through painting shaped by American and Asian visual cultures. His works—repainted canvases and mixed-format paintings—often reappropriate images found online and in the street, interrogating contemporary image production and its slipperiness. Employing layered pictorial strategies and referential iconography, Hung stages a critical dialogue that oscillates between fascination and critique. He also joined the Work.Master teaching team in 2024 and engages with questions of artistic production and the artist’s condition.

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4 – 22 February

Subtle Ballet of Nuances – Luis Marques

Art & Exhibits

Centre culturel du Manoir

Luis Marques, artist and architect, examines his intimate relationship with water through abstract landscapes and text-infused works. Using repeated line, handwritten fragments and layered marks, he constructs an introspective journey that invites contemplative immersion.
The pieces evoke both Lake Geneva and the Atlantic glimpsed from his native Portugal, drawing on the depth of blue and the moving surface of water. By integrating adolescent texts, Marques frames a gentle choreography where line becomes migration and memory is rendered as drawing.

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28 January – 15 March

Almost Tender

Art & Exhibits

Ferme de la Chapelle

Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.

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17 April 2025 – 17 April 2026

Anatomy

Art & Exhibits

Musée d'histoire des sciences

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

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VideoDatabase – 1st Carte Blanche : Éléonore Bernard