12 February – 1 March

Vertiges

At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.

In French.

Chemin de la Gravière 7,
1227 Les Acacias
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8 January – 8 March

Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.

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28 January – 13 February

After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.

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5 – 15 February

Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.

In French.

Friday 6 February, 20:00

Returning after two decades on the scene, Odezenne presents the Bordeaux trio’s genre-defying sound, mixing blunt, poetic lyrics with autotuned waltzes and shrewd social observation. Live they balance intimate, melancholic passages with sudden, cathartic eruptions, where close-knit interplay and textural layering create an enveloping sonic atmosphere. The set privileges rhythmic play, vocal contrasts and raw emotional intensity, offering a concentrated, immersive concert experience that reflects the group’s restless, uncompromising outlook.

Friday 6 February, 20:00

Pulse is an acrobatic uppercut where breath, rhythm and bodies fuse into a spectacular trance. Created by Cie Kiaï, the piece propels six acrobats into a rebounding space where the laws of gravity seem to dissolve. Set to a hypnotic musical pulse, the performers lift, collide and vibrate in unison in a vertiginous choreography. The staging privileges sensory intensity, blending physical virtuosity, rhythmic precision and immersive soundscapes to deliver a visceral, kinetic experience.

3 – 7 February, 19:30

World premiere in French at La Cité Bleue
Music: Thomas Leininger | Libretto: Cédric Costantino & Tina Hartmann

What if the dinosaurs missed Noah’s Ark—not because of a meteorite, but because a sundial was thrown off by the clouds? In this whimsical yet thought-provoking opera, Charles Darwin and his beloved Galápagos iguana travel through time to give dinosaurs a second chance. Boarding a fantastical ship, the creatures set off in search of a magical plant that might transform them into birds and save them from the Flood.

Part satire, part tender fable, Les Dinos et l’Arche brings together humans, animals, and extinct species in a distorted mirror of our own changing society. Through absurd dialogues, wild transformations, and a swirl of humor and emotion, the opera reminds us that survival often demands reinvention.

Directed by Julien Condemine, with musical direction by Leonardo García-Alarcón, and performed by a vibrant cast and a ten-piece ensemble, this visually daring and musically rich production draws on baroque influences to speak to curious minds of all ages.

Kids ages 10 and up.

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