Tristan Pierre leads a restorative memory walk across the streets of his childhood, weaving recollection and poetic observation into an intimate live solo performance. Sparse staging and an attentive rhythm let images surface—childhood storefronts, shifting light and small rituals—while a subtle soundscape shapes timing and mood. The piece balances nostalgia with clarity, inviting quiet reflection and unexpected tenderness.
In French.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
Led by conductor Natacha Casagrande, this programme brings together the refined textures of the Geneva Chamber Orchestra and four soloists — soprano Clémence Tilquin, alto Mi-Young Kim, tenor Erwan Fosset and baritone Seongho Han. The evening juxtaposes Saint-Saëns’s delicate La Lyre et la Harpe with Gabriel Fauré’s Requiem, weaving luminous orchestral colour and intimate vocal lines. The performance favours clarity, warmth and a contemplative atmosphere that highlights the scores tenderness and quiet ritual.
Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.
In French.
United by a long-standing artistic rapport, Carmela Delgado, Émilie Aridon-Kociołek and Mathias Naon founded Trio Tasis in 2023. The ensemble investigates an intimate, inventive chamber tango drawing on classical music, jazz, chanson and Latin American folk traditions. Their interplay creates a living, mobile sound identity shaped by encounters between tradition and contemporary influences. Performances favor nuanced dialogue, close listening and rhythmic warmth that transform familiar repertoire into subtle, expressive narratives.
Pay-what-you-can at the exit.
K-Pop Fever is a live show staging the most popular K-pop hits in a spectacular, immersive experience. From the driving sounds of HUNTR/X and the energy of Saja Boys to emblematic tracks by BLACKPINK, BTS and other major K-pop acts, the programme journeys through songs that have captivated millions. Music is central, magnified by performers, lighting, set design and striking visuals that turn each number into a memorable, emotion-filled moment.
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