Silvia Hopenhayn, Argentine writer and cultural journalist, offers close readings of Jorge Luis Borges’s fiction and its formal strategies, drawing on her experience with Latin American literature and criticism.
She examines Borges’s short stories, focusing on character creation, paradoxes, enumerations and rhetorical devices, and argues that these brief narratives act as inventive gestures. The session explores figures like Pierre Menard, Funes and Emma Zunz and investigates how form and erudition reveal singular subjectivities.
In French.