Join the creators of the exhibition on a guided tour through their collaborative show. Hear the ideas that guided them and discover how children helped shape the works. The creators explain their creative choices, share questions about possible futures, and invite you to think along. Listen to their stories, observe artworks and the processes behind them, and explore ideas together in a curious, lively way.
In French.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
Ghislaine Heger presents a photographic series of portraits that foreground 101 women from French-speaking Switzerland and their experiences of ageing and gray hair. Combining portrait photography with each subject’s own testimony, the work examines social expectations, gendered scrutiny and the intimate moments that surround a visible change.
The exhibition evokes questions of identity, dignity and resilience, offering nuanced, gentle accounts that reveal how personal histories intersect with broader cultural attitudes toward ageing.
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.
Geneva-based artist Christian Robert-Tissot transforms everyday words, slogans and street expressions into bold visual artworks. By shifting these familiar phrases out of their usual context, he reveals their rhythms, ambiguities and hidden meanings, turning ordinary language into playful reflections on daily life.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
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