With Olivier Grimm at the piano, this participatory gathering invites audiences to sing for pleasure from a vast choice of 270 songs. Lyrics are projected so everyone can join in together, microphone-free, carried by the warmth of live accompaniment. The experience is simple, convivial, and immediate, turning familiar melodies into a shared collective moment shaped by voice, memory, and the pleasure of singing as one.
MIKI writes, films and sings with a sharp, candid voice, crafting a hybrid pop that balances nervous energy and intimate detail. Her performance mixes absurd vignettes and tender moments, delivered with an ironic distance that keeps listeners off‑balance. She stages songs like short films, letting onstage gestures and lo-fi visuals punctuate the music. Revealed at Voix de Fête 2025, MIKI’s show feels immediate and unvarnished, alternating between playful chaos and fragile honesty.
Four performers embody testimonies from different generations in Sept, situated at the crossroads of dance and film. Between intimate confidences and tender tableaux, the piece examines how age shapes us and stages a delicate exploration of what growing older means, revealing a shared humanity. The staging shifts between projected images and live bodies, weaving visual and physical layers to create an experience that is both poetic and unsettling.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Quinceañeras is a durational performance created and performed by Colombian artists Estefanía and Luisa, who examine the ambivalence of the quinceañera ritual. Combining movement, symbolic staging and intimate scenography, the piece interrogates colonial legacies and the boundaries of gendered rites of passage. Through choreography and poetic gestures they transform ritual into acts of resistance and self-affirmation, proposing new modes of feminine representation and collective memory within contemporary performance.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
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