Tuesday 8 September, 17:00

Shyle Zalewski — (presque) Heartful Tour: signing & concert

Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.

Genève,
Switzerland
Photo Credit: Shyle Zalewski
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Photo Credit: Shyle Zalewski

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4 – 6 September

Geneva’s Orchestre Tout Puissant Marcel Duchamp offers a nomadic musical odyssey that blends fervent rhythms, sonic experimentation and a spirit of freedom. For nearly twenty years the collective has shaped a distinctive sound: layered voices, interweaving textures and songs that confront the present without succumbing to despair. Carried by an impressive constellation of brass, strings, percussion, marimbas and guitars, more than fifteen musicians create generous, mobile and intensely alive music that moves between communal celebration and joyful escape.

  • Friday 4 September, 22:00: La Parfumerie
  • Saturday 5 September, 22:00: Scène Caecilia
  • Sunday 6 September,22:00: cave12

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  • Friday 4 September 18:00: Parc du Château Voltaire
  • Saturday 5 September 15:00: Parc Battelle – Maison de Quartier des Grands-Hutins
  • Saturday 5 September 18:00: Esplanade du Lignon
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Directed by Yuval Dishon, Zanco’s 20th Anniversary Show revisits five emblematic creations in a mobile, immersive promenade. Performers including committee members Vlady Wagner, Micha Hersch and Cyril Lenz animate papier‑mâché ghosts, masks and puppetry, accompanied by music from POL and Guillaume Lagger and sound design by Ivan Verda. The artistic team (Stella Giuliani, Jessica Haener, Olga Andreichikova, Mehdi Duman, Dinu Corminboeuf, Oliver Robertson) reframes memory, language and myth to probe democratic crisis, fear and social fragmentation in a nocturnal, poetic atmosphere.

3 – 6 September

Performed and directed by Eve Aouizerate, this incisive solo creation blends autofiction and faux stand-up to turn fairy-tale promises into a sharp satire. Using humour and precise stagecraft, Aouizerate interrogates reactionary online imaginaries and the contemporary allure of tradwives, exposing tensions between domestic idealisation and feminist inheritance. The piece mixes intimate confession, comic timing and critical observation to probe identity, boredom and the pressures shaping women’s lives.

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3 – 5 September

Otis Thaïs Martin performs a solo trapeze piece that turns acrobatic balance into a metaphor for living with anxiety. On a rigging that oscillates and resists, Martin mixes aerial performance, spoken testimony and musical improvisation by Camille Garcia‑Rennes to explore exhaustion, survival strategies and the tenderness of queer kinship. Formerly associated with L’Abri, the artist transforms the stage into a political space for collective care and witness, crafting moments of tension that open onto surprising tenderness and fragile joy.

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Actor and singer Lambert Wilson channels Kurt Weill’s music in an intense, elegant recital. Accompanied by the Lemanic Modern Ensemble, he revives selections from The Threepenny Opera, The Rise and Fall of the City of Mahagonny, Lady in the Dark and other stage works, moving between Berlin cabaret textures, jubilant jazz and theatrical declamation. The performance relies on close ensemble interplay and expressive phrasing to probe themes of urban decadence, irony and longing.

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