Sunday 24 May, 19:00

Rolling Quartz

Performances

Alhambra

Booking Required

South Korea’s Rolling Quartz channels raw rock energy and K-pop intensity in a high-voltage live set. The five-member band — vocalist Jayoung, guitarists Iree and Hyunjung, bassist Arem and drummer Yeongeun — blends punchy riffs, driving rhythms and commanding vocals. Their 2022 mini-album Fighting marked an international breakthrough, reflecting a sound that fuses garage-rooted rock with polished stagecraft. The performance promises muscular musicianship, tight ensemble interplay and an electrifying, crowd-driven atmosphere.

Rue de la Rôtisserie 10,
1204 Genève

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Photo Credit: DR

12 March – 1 April

La grande ourse

Performances

POCHE /GVE

Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.

In French.

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12 October 2025 – 19 April 2026, some Sundays

Antigone at Night

Performances

Multiple locations

Françoise Boillat brings Antigone to life in an outdoor performance set against the backdrop of seven “remarkable trees” each month. This unique production weaves Antigone’s defiance of political authority with her devotion to the gods. The ancient trees stand as silent witnesses to the enduring human struggles between law, nature, and freedom.

In French.

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3 March – 2 April

Le Tartuffe

Performances

Théâtre de Carouge

Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.

Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?

In French. Ages 12 and up.

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19 – 29 March

Castor & Pollux – by Jean-Philippe Rameau

Performances

BFM

Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.

In French, with English subtitles.

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28 – 29 March

La Keloke — Latin Night

Performances

Kiosque des Bastions

La Keloke is an immersive Latin music night conceived by Rytm that blends urban Latin sounds—reggaeton, Latin trap and dembow—with traditional rhythms such as salsa, bachata and merengue. Expect a warm, dance-focused atmosphere where DJs and live percussion create continuous grooves tailored for social dancing. The programming favors rhythmic interplay and communal energy, with moments of call-and-response and high-energy floorwork. A festive sharing menu will be available on site.

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24 March – 12 April

Comme des bêtes

Performances

La Parfumerie

Directed by Marie Wyler and adapted from Violaine Bérot’s novel, Comme des bêtes follows a man nicknamed “the Bear” whose difference unsettles a mountain village after a child is sighted near his cave. Performed by Marie Probst, Marie Ruchat, Alexandra Tiedemann and David Casada, the piece mixes elements of folk tale and detective narrative to probe mutual taming between humans and other forms of life. Giulia Muniz’s costumes, David Kretonic’s lighting and Rudy Deceliere’s sound design build a tense, mysterious atmosphere that questions the limits of rationality.

In French.

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Rolling Quartz