The Ballet du Grand Théâtre de Genève opens one of the final rehearsals of Océans, a choreographic diptych pairing Damien Jalet’s Brise-lames with River Without Banks, a new creation by Kyle Abraham. This public glimpse into the studio reveals the company at work through excerpts from Abraham’s choreography, where tension, flow and physical precision meet. The rehearsal offers a vivid encounter with a work shaped by contrasting energies and a strongly contemporary movement language.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
Four performers embody testimonies from different generations in Sept, situated at the crossroads of dance and film. Between intimate confidences and tender tableaux, the piece examines how age shapes us and stages a delicate exploration of what growing older means, revealing a shared humanity. The staging shifts between projected images and live bodies, weaving visual and physical layers to create an experience that is both poetic and unsettling.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
Lara Fabian celebrates a rare vocal and emotional range across a career spanning 35 years, with over 25 million albums sold. On the Je suis là tour she reinvents three decades of signature songs in unexpected arrangements, blending intimate piano-led passages with sweeping band climaxes. Accompanied by eleven musicians and the Yaacov brothers as musical directors, the performance alternates tender, candid moments and powerful, cinematic crescendos that highlight her interpretive depth and stage presence.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
British‑Portuguese singer-songwriter Nessi Gomes and Barcelona‑based Mike Rauss present an evening of intimate, genre-blending song. Gomes weaves traditional Portuguese fado’s emotional depth with a contemporary British sensibility, producing haunting, lushly textured soundscapes and medicine‑singer mysticism; her acclaimed album Diamonds & Demons foregrounds this quiet intensity. Mike Rauss offers playful yet profound troubadour songs where funk, folk, oriental motifs and flamenco guitar meet a warm, grooving voice. Together they create an atmosphere of ritual, longing and raw presence.
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