On a quick visit to the MEG, delve into the permanent exhibition by examining the collections through the lens of current social and environmental challenges. This visit invites reflection and dialogue on themes relevant to our everyday lives.
In French.
This thematic exhibition examines how street-name plaques conceal biographies, choices and memories that shape Carouge’s identity. It highlights figures commemorated in the urban fabric—political actors, artists and local personalities—through photographs, archival documents and works from the museum collection.
Combining historical records and visual materials, the show reconstructs the city’s transformations and collective memory, questioning how naming practices inscribe social values and local histories into everyday streetscapes.
German artist Gerhard Hotter (born 1954) presents a survey of works that unfolds across five decades, exploring play as a mode of learning and experimentation. Early paintings from the 1980s evoke inner labyrinths populated by chess pieces, playing cards and miniature toys; later works evolve into modular constructions inspired by Bauhaus toys, privileging pure form, volume, colour and combinable structures. Hotter employs Langford sequences as compositional tools, situating his practice within concrete art where order becomes an active, playful principle. Recent pieces expand this enquiry through relief, light and spatial interventions.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
Archipel Festival presents a selection of independent cinema that foregrounds experimental narratives, emerging voices and boundary-pushing forms. Over a curated programme, filmmakers explore intimacy, migration, memory and the politics of image through bold cinematography and attentive sound design. The festival prioritises debut works and daring auteurs, offering concentrated encounters with contemporary film practices. Programming balances short and feature-length films, panel conversations and artist-led sessions that frame the films within wider cultural and aesthetic debates.
London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
Eight artists — Fernando de la Rocque, Jean Marie Fahy, Dara Maillard, Lyz Parayzo, Wes Roque, Almeida da Silva, Vivianne Van Singer and Martin Widmer — examine paper as a deliberate field of possibility. Treating sheets as material and gesture, they deploy drawing, cutting, layering and mark‑making to activate intimacy, fragility and resilience. The works reclaim paper as presence rather than support, exploring immediacy, vulnerability and the poetic potential of minimal means.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
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