5 – 6 June

Miró and Mirror Music

Booking Required

Miró and Mirror Music is an original multidisciplinary concert-performance inspired by the Catalan painter Joan Miró. His imagery is set in dialogue with composers of his time and reworked through Sophie Le Meillour’s live visual mapping. Juliette Rahon signs the staging and choreography, while a chamber ensemble—Mariana Flores (voice), Meglena Tzaneva and Chiara Nava Mambretti (pianos), George Vassilev and Miguel Ferreira (guitars)—performs repertoire by Ravel, Mompou, Albéniz, de Falla, Granados, García Lorca and Obradors. Narration by Eva Kouvandjieva. Produced in collaboration with Dialogues entre les Arts.

Rue de l'Athénée 2,
1205 Genève

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25 May – 19 June

Vous avez dit Barbe Bleue ?

Performances

Théâtre de Carouge

Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.

In French.

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19 – 31 May

Les farfadets: ou tous les démons ne sont pas de l’autre monde

Performances

Théâtricul

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

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5 – 31 May

Brigade financière

Performances

Théâtre du Crève-Coeur

Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.

In French.

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Tuesday 26 May 2026, 20:00

Vincent Dedienne

Performances

Alhambra

The comedian and actor Vincent Dedienne is venturing into new creative territory with “Un lendemain soir de gala,” a unique event that combines humor and music. Dedienne will perform original songs crafted by artists he admires, including Alex Beaupain, Jeanne Cherhal, and Vincent Delerm. This promises to be a one-of-a-kind evening filled with theater, music, humor, and warmth. Tickets purchased for the previous date are still valid for the new event.

In French.

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19 May – 7 June

Trois versions de la vie

Performances

Théâtre des Amis

Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.

In French.

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26 May, 9 & 23 June

Fiona G. – Trauma & Chill

Performances

Caustic Comedy Club

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

In French.

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Miró and Mirror Music