16 – 17 December

Majestic Brahms

Booking Required

Under the baton of Pablo Heras-Casado, this symphonic programme juxtaposes Stravinsky’s Pulcinella suite, Shostakovich’s Violin Concerto No. 2 with soloist Patricia Kopatchinskaja, and Brahms’s Fourth Symphony. The evening moves between neoclassical wit, intense modern lyricism and late-Romantic drama, guided by incisive phrasing and vivid orchestral colours. Expect a focused, emotionally charged performance that balances virtuosity and chamber-like transparency, revealing new depths in canonical works.

Rue du Général-DUFOUR 14,
1204 Genève

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Photo Credit: DR

1 – 31 October

JazzContreBand 2026

Performances

Multiple locations

JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.

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Tuesday 27 October, 20:30

Bill Frisell Trio — 75th Birthday Celebration

Performances

Alhambra

Veteran guitarist and composer Bill Frisell leads his trio with Luke Bergman (bass) and Tim Angulo (drums) in a program that surveys his forty-plus-year musical language. Rooted in jazz yet drawing on folk, blues, country and experimental rock, the trio balances lyrical melody and open improvisation. Frisell’s delicate phrasing and the ensemble’s spontaneous interplay create intimate, dreamlike moments and sudden, uncanny detours. The performance highlights recent material from Frisell’s latest recordings while privileging listening, space and subtle dynamics.

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Tuesday 27 October, 21:00

Symphon’Hip-Hop — Geneva Chamber Orchestra with Timar, Aamo & guests

Performances

BFM

Conceived by conductor Marie Célérier, Symphon’Hip-Hop brings the Geneva Chamber Orchestra together with Timar, Aamo, Dakeez, Mibsy and Kamil Osmanov to forge a bold dialogue between classical textures and hip‑hop, soul and R&B. Orchestral timbres intertwine with beat-driven vocal lines, while a dance battle sets a kinetic frame for the evening. Curated with Planète Rouge, the project balances improvisation and composed structures, creating an exhilarating, urban‑classical soundworld that foregrounds rhythm and collective energy.

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27 – 31 October

Menace Chorale

Performances

La Comédie de Genève

Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.

In French.

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Tuesday 27 October, 19:30

As We Are — Joséphine / Bantu

Performances

Concorde

Choreographed and performed by Germaine Acogny and Gregory Maqoma, this evening pairs a powerful solo invocation of Joséphine Baker with Bantu, a response piece created with artists from Vuyani Dance Theatre and the École des Sables. The program interrogates memory, exile and inherited identity through raw physicality, layered gestures and stark theatrical lighting. Intimate and wide-ranging, the two works converse on reappropriation and resilience, shifting between solo intensity and communal choreography.

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Tuesday 27 October, 20:30

Bill Frisell Trio feat. Luke Bergman & Tim Angulo

Performances

Alhambra

Led by guitarist and composer Bill Frisell, this trio with Luke Bergman and Tim Angulo blends contemporary jazz, experimental rock and American roots—folk, blues and country—into a lyrical, exploratory sound. Frisell’s melodic experimentation and wind-like guitar phrasing meet Bergman’s harmonic insight and Angulo’s mysterious textures, creating intimate interplay and unexpected turns. The programme draws on Frisell’s recent album In My Dreams, offering spacious improvisation, warm nuance and a sense of discovery that balances craft with surprise.

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Majestic Brahms