Luther returns with the Sublime Tour, offering a powerful live set that blends soulful vocals, dynamic guitar work and intimate songwriting. The performance focuses on atmospheric arrangements, close interplay with a tight band and moments of raw emotional intensity. Expect a carefully paced programme that balances energetic anthems with quieter, introspective songs, framed by refined lighting and focused staging to create an immersive musical experience.
Les Ostinés present an intimate chamber programme spanning Renaissance repertoire to Latin songs, exploring the harmonic and rhythmic links between early music and contemporary popular forms. Using historical instruments—traversos, recorders, violoncello, viola da gamba, baroque guitars and percussion—the five young performers (Lila Walther, Ayoub Aidani, Zoé Kettiger, Vincent Miche and Aurélien Peccoud) shape a refined, playful rhetoric. The ensemble, composed of Conservatoire de Musique de Genève students, favors close textures and expressive nuance, inviting attentive listening.
Directed by Louis Bonard, Les Voüéces follows two reclusive women, Rodogonde and Frénéjus, who live atop a high tower. Louis Bonard and Michèle Gurtner wrote and perform a piece in an enchanted pseudo‑medieval tongue where voice, embroidery and play weave a poetic fable. The performance probes silence, the passage of time, guilt and the unsettling presence of other voices — ghostly, culpable or absurd — with a blend of darkness and dark humour.
In French.
Brooklyn-born poet and musician Aja Monet weaves spoken word and jazz-inflected song into a charged, intimate performance. Her voice combines surreal imagery, precise diction and raw emotional clarity, supported by subtle electronic textures and live instrumentalists. Collaborations with leading jazz and soul figures inform a multidisciplinary approach that blends improvisation, rhythmic poetics and melodic hooks. The staging favors close, cinematic lighting and spacious soundscapes, inviting listeners into a communal, urgent evening of reflection and fierce tenderness.
In English.
An open hip-hop jam where DJs and dancers converge in an improvised celebration of street culture. In collaboration with Association Breakdance Genève, the session foregrounds rhythmic interplay, call-and-response exchanges and physical storytelling. Expect pulsing beats, spontaneous battles and moments of collective intensity as performers trade moves and musical cues. The atmosphere is raw and electric, alternating between intimate grooves and explosive bursts, inviting both participants and listeners into shared momentum.
Thursday 6 August, 18:00
Thursday 13 August, 18:00
Thursday 20 August, 18:00
Thursday 27 August, 18:00
Elvett gathers four female voices, a grand piano and a brass quintet into an eleven-piece ensemble showcasing a new set born from a week-long residency. Anchored by the radiant voice of Lyn and the luminous productions of Alain Frey, the music moves between soul, jazz and sacred-inspired sonorities. The project features Soraya Berent on piano, Gaspard Sommer on analog synths, Chloé Baumgartner and Capucine Mugnier on backing vocals, plus a brass section. Coproduction: Barbarella Records and EMA; supported by the City of Geneva.
August 20 – Free – rehearsal 16:00, Q&A 18:00
August 22 – Paid admission – preview concert 20:30
To mark its 21st anniversary, Geneva’s label HU presents a night of five short, immersive experimental electronic performances. Artists ENOIA, DA SAZ, GOODBYE IVAN, VINCENT HÄNNI and POL offer sculpted sound worlds that blur rhythm and texture, using spatialised electronics and subtle lighting to conjure uncanny atmospheres. The program favors intimate, exploratory set pieces that invite deep listening and physical presence. A shared meal by Tito (Peru) accompanies the evening, adding a communal dimension to the sonic journey.
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