Saturday 24 April, 15:00 and 19:00

Life Is Not Useful (Or It Is What It Is)

Booking Required

Choreographed by Bruno Freire, this conference-dance draws on the words of philosopher and indigenous activist Ailton Krenak to weave speech and movement into a contemplative ritual. Sparse, precise choreography meets layered soundscapes and embodied testimony, investigating resilience, loss and collective imagination. The piece stages intimate encounters between language and flesh, proposing aesthetic strategies to delay catastrophe and reimagine possible futures. Presented within the VIVA festival, the work favours reflection over spectacle.

Place Beatriz-Consuelo,
1206 Genève

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Photo Credit: DR

13 July – 16 August

Les Aubes 2026

Performances

Bains des Pâquis

Returning for its twentieth edition, Les Aubes brings softness and poetry to Geneva mornings. At dawn, intimate musical encounters offer delicate soundscapes that stir the senses, favouring close listening and subtle atmospheres. The programme highlights a variety of acoustic and experimental projects, from solo performances to chamber ensembles, each designed to awaken the city with refined timbres and attentive pacing. A gentle celebration of morning listening and communal presence.

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29 June – 16 August

Operation Transat – Le Grand Village

Performances

Place Favre

Operation Transat’s Le Grand Village transforms public space into a nomadic, poetic microcosm. The itinerant theatre company sets up tents, caravans and open-air spaces where artists, residents and passers-by meet through a varied programme of short plays, object theatre, puppetry, circus, concerts, readings and workshops. Intimate and communal, the installation invites close encounters, spontaneous discoveries and participatory moments, offering playful, moving and theatrical experiences for audiences of all ages.

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12 – 23 August

Les Voüéces

Performances

Théâtre de l'Orangerie

Directed by Louis Bonard, Les Voüéces follows two reclusive women, Rodogonde and Frénéjus, who live atop a high tower. Louis Bonard and Michèle Gurtner wrote and perform a piece in an enchanted pseudo‑medieval tongue where voice, embroidery and play weave a poetic fable. The performance probes silence, the passage of time, guilt and the unsettling presence of other voices — ghostly, culpable or absurd — with a blend of darkness and dark humour.

In French.

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Wednesday 12 August, 21:00

HENGE — Space Rock Collective

Performances

Scène Ella Fitzgerald

HENGE deliver a space-rock spectacle that blends rave energy and progressive-rock textures. Since arriving seven years ago the band has earned acclaim — two albums, extensive touring and a Best Live Act award — and their performances feel at once exuberant and slightly uncanny. Propulsive rhythms, swirling textures and playful theatricality create an immersive, joyous atmosphere that oscillates between subversion and warmth, broadcasting a message of hope that leaves audiences amused and exhilarated.

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22 July – 16 August

The Wheel of Fortune

Performances

Théâtre de l'Orangerie

Two unexpected deities arrive by bicycle, guided by a capricious GPS, carrying a very serious object: the Wheel of Fortune. They need the audience—especially children—to spin the wheel and together invent a story about a child to whom nothing seems to go right. Misfortunes pile up, luck sticks to the sneakers and solutions must be imagined. A participatory musical tale where chance and imagination shape a different story each time.

In French. Kids ages 5 and up.

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13 – 15 August

Festival OSR

Performances

Genève-Plage

Festival OSR returns for its seventh edition with the Orchestre de la Suisse Romande presenting a three‑evening programme that spans classical repertoire, a live ciné‑concert of Hitchcock’s cinema, and a jazz evening paying tribute to Joséphine Baker. Outdoor on a grassy setting, the series favours intimate, atmospheric performances where orchestral colours, cinematic soundscapes and swinging rhythms meet. Artistic direction highlights collaboration between soloists and the ensemble, offering evocative, finely crafted interpretations and a vibrant communal listening experience.

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Life Is Not Useful (Or It Is What It Is)