With Les lettres de mon père, Cie Gare Centrale offers an intimate and moving story where family memory and colonial history intertwine. Through puppetry, objects, and her trademark offbeat humor, Agnès revisits her childhood exile from Congo in 1960 and her father’s letters, to shed light—65 years later—on past wounds while questioning the weight of both personal and historical legacy.
In French. Ages 9 and up.
Léa Pohlhammer brings Orlando to life in a monologue adaptation of Virginia Woolf’s renowned novel. This performance weaves storytelling, music, and direct audience engagement to delve into themes of interpretative freedom, identity, and femininity. Featuring a minimalist set and lighting inspired by William Turner, it challenges social norms and explores our relationship with gender, employing quotes from the novel, humor, and personal anecdotes.
In French.
A lyrical evening at Victoria Hall with mezzo-soprano Véronique Valdès, violist Lyda Chen-Argerich, and pianist Titta Carvelli, exploring the power of “Human Voices” through works by Poulenc, Bach, and Piazzolla. Presented by the association Tempus Armonicum.
Evaux en Fêtes offers a cultural, ecological, and sporting program for all ages in Geneva’s largest urban park. From May to October, over thirty events blend nature, culture, and sports at Parc des Evaux. Attendees can enjoy educational workshops, open-air performances, candlelit concerts, sports challenges, and activities designed for the entire family.
Choreographer Soa Ratsifandrihana brings together four performers with diasporic roots to explore themes of identity, connection, and individuality through dance and song. Titled Fampitaha, fampita, fampitàna (Malagasy for comparison, transmission, rivalry), the piece celebrates shared cultural expression. It is accompanied by the podcast Rouge cratère, a personal and political reflection on Madagascar, colonization, and the embodied experience of diaspora.
“Meanders” is a performance by Justine Ruchat that offers a poetic and dreamlike journey through the world, depicted in seven scenes. Utilizing images, words, and an immersive set design, the piece invites a re-enchantment of our perception of life. Audiences, seen as partners in this endeavor, are led on a quest for wonder and reconnection with the essential, blending subtlety and emotion. Inspired by Italo Calvino, the production weaves together visual and sound elements to revive our primal senses, turning each immersion into an act of resistance against modern alienation.
The Old Masters present “The Painting Horse” at Maison Saint-Gervais. This performance features a trio of performers in a horse costume, blending the human and the animal. Through this hybrid character, they explore freedom and artistic creation with a playful and philosophical approach, delving into the desire to create.
In French.
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