9 June – 8 July

Le Palais des Tressaillements

Le Palais des Tressaillements brings together a group of contemporary artists who examine the legacy and circulation of images. Through photography, installation, mixed media and archival practices, the exhibition investigates how visual cultures shape identities, memory and collective narratives. Works by Yvan Alvarez, Tim Bruggeman, Aline d’Auria, Lina Geoushy, Mårten Lange, Magdalena Wysocka and others propose strategies of appropriation, re-signification and poetic reassembly to resist dominant representations and to imagine alternative filiations.

Opening: Tuesday 9 June, 18:00 and guided tour with the artists (in French and English)

Rue des Vieux-Grenadiers 10,
1205 Genève
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John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

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Barbara Smits and Florence Vial create a captivating dialogue between painting and sculpture, bringing together two distinct artistic practices united by a shared sensitivity to form, material, and expression. Through the interplay of colour, texture, volume, and gesture, the exhibition invites visitors to explore the relationships between abstraction and representation, movement and stillness, imagination and perception. Celebrating the richness of contemporary artistic creation, this encounter offers an engaging visual experience where each artist’s work enhances and resonates with the other, opening new perspectives on the dialogue between two- and three-dimensional forms.

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27 May – 14 June

PIPAS 2026 – Trouble-accueil is a playful, slightly subversive entry in the PIPAS biennale curated by Paul Oberson. It unfolds as a series of unexpected encounters and atmospheric interventions that tilt everyday hospitality into moments of disorientation and delight. The piece invites visitors to reconsider welcome, movement and the social choreography of shared spaces through visual, auditory and performative gestures. Expect a curious, tactile experience that favors surprise, thoughtful mischief and sensory discovery.

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Students from La Grande Boissière present a collective exhibition of visual art responding to the life and work of Chu Teh‑Chun. Through paintings, drawings and mixed‑media pieces, the show examines perseverance, multicultural influences and the role of self‑reflection in artistic practice. Works offer personal interpretations and visual languages that articulate each student’s perspective on form, colour and memory. A jury selects outstanding pieces and the overall winner receives an artist residency.

Opening and Prize Award Ceremony on Wednesday 10 June at 17:00.

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