14 March – 3 May

Karla Black

Scottish artist Karla Black presents her first solo exhibition at Galerie Mezzanin, exploring the tension between material experience and self-perception. Through sculptural works that engage with mirrors, paint, and physical presence, Black challenges the historical evolution of self-consciousness—from the reflective surfaces of the past to today’s omnipresent digital screens. Drawing on philosophical and historical references, her work seeks to disrupt the “spell” of modern self-awareness, inviting a return to a more tactile, unmediated engagement with the world.

Rue des Maraîchers 63,
1205 Genève
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Photo Credit: Karla Black, Galerie Mezzanin

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13 March – 3 May

Alfredo Aceto’s solo exhibition “Amusia” delves into themes of trauma, identity, and the body through drawings, sculptures, and photographs, drawing inspiration from sociology and gender studies. The Campanula series features fragmented sculptures and bells, exploring concepts of power, perception, and resistance.

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Delphine Reist and Laurent Faulon transform Villa Bernasconi with an immersive exhibition that returns each room to its original function. Through object-based artworks, automatons, accumulations, and scale shifts, they craft an atmosphere of eeriness and unease. Faulon converts the villa into an ambiguous space, while Reist examines alienating work practices. Their works engage in a dialogue on private, social, and political themes. The exhibition is accompanied by a variety of events, including tours, performances, readings, lectures, and workshops for children.

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Immerse yourself in 15,000 years of Geneva history, reinterpreted by New York artist Carol Bove, born in Geneva in 1971. The exhibition takes a fresh look at the MAH collection, inviting visitors to follow a timeline from regional archaeological discoveries to the most recent contemporary pieces. Presented chronologically, the works take a creative, anthropological, interactive and educational approach. Between ancient artifacts, masterpieces and everyday objects, this new Carte Blanche revisits the museum space, blurring the boundaries between art and everyday objects. An invitation to touch, feel and observe in a new way, free from convention, to redefine our relationship with art and the museum.

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