Guigui Pop is a solo performance that tracks a man’s midlife limbo between past and present, confronting a sudden rupture with dark humour and physical intensity. Guigui blends blunt, intimate storytelling with athletic stagecraft, evoking the brutal economy of full-contact fighting as a metaphor for emotional blows. The piece alternates sharp comic beats and moments of poignant stillness, inviting viewers into a raw, searching portrait of identity and resilience.
In French.
Calema’s brothers bring a warm blend of soulful vocals, pop melodies and Afro‑Portuguese rhythms. Their music balances intimate ballads and uplifting anthems, driven by close harmonies and rhythmic guitar patterns. Expect a performance that moves between tender emotion and contagious energy, highlighted by nuanced arrangements and heartfelt delivery. The duo’s commanding stage presence invites close listening and joyful participation, offering an evocative journey through love, identity and rhythmic tradition.
Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.
In French.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
Set between domestication and escape, La zone nono follows a troupe of ragged yet endearing animals seeking community and freedom. Two table puppeteers and two musicians bring to life quirky creatures through live music and songs, blending humour and poetry. The staging balances intimacy and playful invention, exploring solidarity, resilience and the pull of the wild. The show is performed in French and mixes witty storytelling with musicality and inventive puppetry.
In French.
With Olivier Grimm at the piano, this participatory gathering invites audiences to sing for pleasure from a vast choice of 270 songs. Lyrics are projected so everyone can join in together, microphone-free, carried by the warmth of live accompaniment. The experience is simple, convivial, and immediate, turning familiar melodies into a shared collective moment shaped by voice, memory, and the pleasure of singing as one.
Presented within the Emerentia festival, this evening gathers three original short dance pieces by Shereya, Joce and Uma. Inspired by literary short stories, the program uses compact narrative forms to probe storytelling through movement, confronting the codes and bodies of institutional contemporary dance. Each 30-minute piece shifts tone and atmosphere, alternating intimate gestures and bold choreographic risk to explore memory, desire and afterlives of the party. The work favours concentrated dramaturgy and physical immediacy.
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