Friday 28 May, 19:30

Grigory Sokolov

Booking Required

Renowned pianist Grigory Sokolov presents an intimate solo recital that invites close listening and profound reflection. Known for a singular poetic touch, Sokolov shapes each phrase with meticulous clarity and emotional depth, revealing fresh facets of the repertoire. With a pared-back aesthetic and powerful expressivity, the performance privileges nuance, silence and concentrated musical discourse. The programme will be announced later; the focus remains on the pianist’s interpretative intensity and pianistic refinement.

Rue du Général-DUFOUR 14,
1204 Genève

Photo Credit: DR

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Photo Credit: DR

29 – 30 October

Guihome: One-Man Show

Performances

BFM

Guihome returns with a finely observed one‑man show that traces the passage from childhood to adulthood through a gallery of new characters and a naturalistic staging. The performance blends candid humour, tenderness and sharp, observational monologue as it follows first moves, first marriage and a first funeral. The staging favours realism and intimate storytelling, creating a warm, reflective atmosphere sustained across nearly two hours.

In French.

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27 – 31 October

Menace Chorale

Performances

La Comédie de Genève

Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.

In French.

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Saturday 29 October, 19:30

Com’ en Couleurs

Performances

Uptown

A comic lecture-show that makes the DISC method accessible through four colourful characters: Roger (the Dominant), Justine (the Influential), Virginie (the Stable) and Bernard (the Conscientious). Blending theatre and practical pedagogy, the performance uses humour and concrete tools to illuminate behavioural styles and improve interpersonal and professional communication. Adaptable for corporate conferences or public audiences, it balances lively sketches with clear takeaways to help participants recognise their patterns and communicate more effectively.

In French.

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29 October – 31 December

La Revue Genevoise 2026

Performances

Plaine de Plainpalais

La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.

In French.

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Thursday 29 October, 20:00

Charlie Winston

Performances

Salle Communale d'Onex

Revealed in 2009 by the hit « Like a Hobo », Charlie Winston, the most francophile of British singers, presents a unique solo acoustic evening. After seventeen years with his band he strips his songs back, offering intimate, raw and tender interpretations of his best-known tracks alongside rare or never-before-played pieces and songs from his sixth album Love Ain’t Easy. The performance balances emotion and surprise, with spontaneous interactions and a contagious energy that brings the artist close to his audience.

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Thursday 29 October, 18:00

Stéphane Blok

Performances

Radio Vostok

Stéphane Blok returns with City 8047, an album shaped in Zurich and recorded live on guitar and voice, with no post-production edits. His acoustic playing folds melody, harmony and percussion into the same gesture, creating raw, stripped-down arrangements that feel both immediate and intimate. The songs move between irony and emotion, reflecting on AI, virtuality, fakery and dehumanization without slipping into polemic. Each track keeps its own resonance, carried by precise lyrics and a singular stage presence.

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Grigory Sokolov