For its 500th anniversary, the Grand Council is transforming this seat of power in the Old Town into a stage open to the public. Heritage becomes the medium for a narrative that connects the city’s past to its present. Through a visual and sound-based creation, this event offers a new way to discover the history of Geneva’s institutions.
British‑Portuguese singer-songwriter Nessi Gomes and Barcelona‑based Mike Rauss present an evening of intimate, genre-blending song. Gomes weaves traditional Portuguese fado’s emotional depth with a contemporary British sensibility, producing haunting, lushly textured soundscapes and medicine‑singer mysticism; her acclaimed album Diamonds & Demons foregrounds this quiet intensity. Mike Rauss offers playful yet profound troubadour songs where funk, folk, oriental motifs and flamenco guitar meet a warm, grooving voice. Together they create an atmosphere of ritual, longing and raw presence.
Assembled at the initiative of Vincent Ruiz and Nicolas Masson, this newly formed quartet offers an open, democratic interpretation of recent compositions by Nicolas Masson. The project blends composed material and responsive improvisation, allowing structures to emerge and be shaped in real time. The ensemble—Nicolas Masson (saxophone), Théo Duboule (guitar), Vincent Ruiz (double bass) and Nathan Vandenbulcke (drums)—explores textural interplay, collective listening and the elasticity of form in contemporary chamber jazz.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Choreographed by Olga de Soto, this intimate solo examines Kurt Jooss’s La Table verte through memory, political legacy and the choreographer’s questioning. On a bare stage, de Soto is accompanied by projected archival images and videos, narrating her research and creative process. The piece traces before-and-after echoes of the original ballet, combining investigative reflection with poetic movement. Co-created with Arta Sperto and Dance First Think Later, the work unfolds as a rigorous yet lyrical inquiry into art, history and witness.
In French.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
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