FURTHER AFIELD
Combining pagan folk traditions with modern electronics, Eihwar delivers a visceral Nordic folk set driven by shamanic drums and hypnotic chants. Signed to Season of Mist (home to Heilung and Danheim), the band has reached millions online and performed at major metal and folk festivals such as Hellfest, Wacken Open Air and Midgardsblot, and opened for The HU. Mira Ceti opens with a ritual-like duo performance, drawing on ancestral sounds and nature-bound mysticism.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Jaune is a fresh stage piece created and performed by recent graduates Mathis Josselin and Gabrielle Pialoux. This first collaboration explores the many faces of the colour yellow — joy, friendship, tenderness, desire and its more ambivalent edges — with an intimate, playful and sincere theatrical language. The creators blend minimal staging and tactile gestures to produce a concise, evocative hour of shared emotion and quiet humour.
In French. Created for the Fête du théâtre 2026.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
Recluses Fest celebrates its fifth anniversary with two nights of high-energy punk and alternative hip-hop. The programme pairs UK punk veterans The Toy Dolls and French hard-hitters Svinkels with eclectic support acts Total Dézordre, Billy Ze Kick and Swiss outfits Les Blattes and Pistache Bitume. Expect raucous riffs, irreverent lyricism and a raw, communal atmosphere driven by tight musicianship and DIY spirit. Curated in coproduction with Recluses Fest, the bill spotlights cross-border scenes and uncompromising live intensity.
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