9 – 19 April

Édith et moi

Booking Required

Yael Rasooly presents a solo performance that blurs puppet theatre and song. As creator, director and performer, Rasooly animates Édith, a lifelike puppet, and weaves an autofictional narrative about loss, trauma and recovery. Haunted by a painful secret that silences her voice, the artist explores resilience through intimate staging, spare scenography and a companion puppet that becomes an unlikely life coach. Live singing and muppet puppetry combine with irony and tenderness to create a resonant, intense experience.

In French.

Rue Rodo 3,
1205 Genève

Photo Credit: DR

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Photo Credit: DR

Wednesday 24 June, 21:30

Judith*G — Live

Performances

Théâtre de l'Orangerie

Trained as an actress and inherently intense, Judith*G is a DIY pop star who transforms sleepless nights into joyously cathartic songs. Her witty, heart‑piercing lyrics sit atop catchy melodies, nostalgic synth‑pop and 90s electro‑rock guitars. Humour, self‑deprecation, handmade merch and playful movement complete a raw, energetic stage persona that invites both laughter and close‑up emotional moments.

In French.

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3 June – 25 July

Caustic Comedy Night

Performances

Caustic Comedy Club

Caustic Comedy Night gathers four stand-up comedians from Switzerland, France and Belgium in a tight, high-energy evening of observational and satirical humour. The show alternates rising talents and seasoned performers, combining sharp social commentary, playful anecdotes and improvised exchanges. Minimal staging keeps the focus on timing and delivery, creating an intimate atmosphere where rhythm and punchlines drive the experience. The programme favours quick, varied sets that sustain momentum and surprise.

In French.

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23 – 28 June

Three Queens

Performances

La Parfumerie

Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.

In French.

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24 – 28 June

Une Simple Histoire / Tribute to Michel Bühler

Performances

Théâtre des Amis

Une Simple Histoire is a tender musical tribute to the late Michel Bühler, celebrating his songs, poetry and humanism. Directed by Roland Vouilloz, the staging brings together Sylvie Bourban (voice) and Jean-Philippe Zwahlen (guitar) in an intimate duet that traces Bühler’s storytelling and travels. The programme weaves folk-inflected arrangements and poetic narration to evoke memory, solidarity and the quiet truth of ordinary lives.

In French.

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24 June – 2 July

Violencia Rivas

Performances

Théâtre de l'Orangerie

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

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Wednesday 24 June, 23:45

Douglas Vanille

Performances

Théâtre de l'Orangerie

Douglas Vanille is an intergalactic DJ performance merging live indie dance rhythms with dark disco textures. After fleeing the destruction of his home planet Kiwi32, the solitary DJ pilots a tiny vessel while pursued and battered by cosmic hazards. On stage the audience becomes his crew and the room a cockpit, guided by propulsive grooves and luminous sound design. Accompanied by his robotic companion K‑R4MEL, the show invites sustained movement and nocturnal reverie.

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Édith et moi