Don’t Kill The Cow brings its alternative rock universe to the stage with four musicians whose shared energy moves between punchy drive and fragile tenderness. Based in French-speaking Switzerland, the band draws on a path shaped by local festivals and venues, from early EPs to an album recorded in Geneva and recent singles such as the bilingual VII. Their set promises raw emotion, immediate connection, and a feverish intensity that feels both human and electric.
Revealed in 2009 by the hit « Like a Hobo », Charlie Winston, the most francophile of British singers, presents a unique solo acoustic evening. After seventeen years with his band he strips his songs back, offering intimate, raw and tender interpretations of his best-known tracks alongside rare or never-before-played pieces and songs from his sixth album Love Ain’t Easy. The performance balances emotion and surprise, with spontaneous interactions and a contagious energy that brings the artist close to his audience.
Led by Ahmed Madani and a troupe of young performers, this vibrant, joyful performance gathers choir, intimate video narratives, dance, live music and the sonic textures of protests in an interactive agora. The staging blends collective singing, personal testimony and physical theatre to explore youth engagement, solidarity and the emergence of shared pathways. The piece is electrifying and tender, inviting audiences into an energetic communal experience.
In French.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Adapted freely from Maryse Condé and Emily Brontë, this theatrical adaptation follows Razyé and Cathy across three generations in a post-emancipation Guadeloupe. Directed by Anne Monfort, the production probes themes of racism, passion, pride, social violence, vengeance and fatalism through a visceral, rhythmic staging. The ensemble uses sparse, evocative design and intense physical interplay to reveal how inherited trauma shapes desire and retribution.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
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