The Centre des Arts showcases a rare selection of Chu Teh-Chun’s works on paper, emphasizing calligraphy and ink. These pieces reflect his profound connection to Chinese roots and spontaneous gestural expression. Designed as an educational experience, the exhibition delves into the artist’s intimacy, his approach to space and movement, and the interplay between ink and material.
The Théâtre du Loup offers a fresh take on “Krazy Kat,” directed by Eric Jeanmonod, to celebrate the final season of the company’s founders. This theatrical adaptation, inspired by George Herriman’s renowned comic strip, explores the intriguing love triangle between a cat infatuated with a mouse, a dog smitten with the cat, and a mouse that relishes throwing bricks. Blending poetry and irony, the production gathers a talented cast for a touching and nostalgic experience.
In French.
Caroline Bachmann showcases “Ten Mornings,” a poetic series of lithographs inspired by lakeside landscapes observed at dawn. Based on sketches drawn on location, the artist crafts refined and stylized images in her studio, emphasizing light contrasts and a subtle range of blues. This exhibition interweaves memory, imagination, and technique to reimagine a single place through the lens of shifting mornings.
“Tuning in – The Acoustics of Emotion” is an exhibition that delves into the connections between sound, voice, heritage, and humanitarian action. Utilizing sound archives and collections from the International Committee of the Red Cross, the International Federation of Red Cross and Red Crescent Societies, and the International Museum of the Red Cross and Red Crescent, the exhibition explores which voices we preserve, their significance, and the role of music in humanitarian efforts. It features soundtracks, historical recordings, posters, photographs, prisoners’ objects, and artworks both historical and contemporary.
The “Chrysalides” exhibition at the Children’s and Adolescents’ Center (HUG), in partnership with the Convergences Foundation, showcases the work of Italian artist Ilaria Sagaria. It delves into adolescence as a metamorphosis, blending poetry and psychology. Using the symbolism of the chrysalis, the exhibition illustrates the profound personal transformations that occur during this life stage.
Geneva-based multidisciplinary artist Alexandre Bianchini delves into painting, collage, photography, video, and installation. As a co-founder of Forde, his works are marked by isolated elements set against bold color fields, challenging illusion and narrative. His pieces, both dense and enigmatic, question perception and present a layered visual language that invites reflection and doubt.
“Dancing with Ghosts” by Adriel Visoto delves into memory, presence, and the fleeting nature of time through paintings, drawings, and landscapes. The exhibition, characterized by a tension between presence and absence, features blurred figures and forms that suggest ephemeral yet enduring memories. Visoto’s meticulous technique crafts a subtle interplay between the visible and invisible, immersing viewers in a realm where external landscapes and internal memories merge.
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