Geneva-based artist Christian Robert-Tissot transforms everyday words, slogans and street expressions into bold visual artworks. By shifting these familiar phrases out of their usual context, he reveals their rhythms, ambiguities and hidden meanings, turning ordinary language into playful reflections on daily life.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
Eight artists — Fernando de la Rocque, Jean Marie Fahy, Dara Maillard, Lyz Parayzo, Wes Roque, Almeida da Silva, Vivianne Van Singer and Martin Widmer — examine paper as a deliberate field of possibility. Treating sheets as material and gesture, they deploy drawing, cutting, layering and mark‑making to activate intimacy, fragility and resilience. The works reclaim paper as presence rather than support, exploring immediacy, vulnerability and the poetic potential of minimal means.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
Swiss artist Jean-Philippe Kalonji presents a sensitive series of portrait drawings that probe identity, memory and human presence. Working mainly with graphite and water-based media, he renders subtle gestures and gazes that bridge inner life and outward expression. The works range from intimate, near-figurative studies to more spare, contemplative surfaces, employing contemporary drawing techniques to question how portraiture reveals emotion and history. The exhibition invites deliberate, close looking at the human figure.
Mauren Brodbeck presents Imperfect Laughter, a series of unique risograph prints that foreground experimentation, sensuality and the beauty of error.
Through layered inks, bleeding, misalignment and photographic traces that appear and dissolve, the works combine printmaking and photographic gestures. Themes of bodily pleasure, spontaneity and the acceptance of accident run through the series. These unretouched pieces celebrate hesitation, overflow and the visible traces of moments when colour, touch and chance make images vibrate.
Mitchell Anderson presents a new edition and bodies of work examining the legacy of post‑war astronautics. Drawing on graphite relics from a V‑2 rocket, children’s drawings and mural motifs, the exhibition stages colour‑in pages alongside wall drawings and hybrid objects that hover between craft and ready‑made. Mixed‑media pieces employ encaustic, embroidery and hand‑written texts to interrogate the rocket as an icon that condenses both promise and violence, situating technological histories within intimate material registers.
Mitja Tušek presents two recent groups of paintings that probe the materiality of painting, the instability of the image and the fragility of identity. One series assembles clusters of faces emerging from dense pictorial fields; each face is built from nine black circles forming a compact pictorial ecosystem. The works emphasise surface, repetition and a sculptural use of paint. Tušek (b. 1961, Maribor) studied in Geneva and is based in Brussels; his work has been shown internationally since the 1990s and is held in major public collections.
Opening during the Nuit de Bains on Thursday 12 March at 18:00.
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