Sunday 23 November, 18:30

Brûle sorcière !

“Brûle sorcière !” (“Burn Witch!”) is a musical performance that delves into the persecution of women accused of witchcraft in 17th-century Geneva, centered on the story of Rolette Revilliod, who was executed by burning after spending eleven years in prison. Based on a text by Vanessa Trüb, performers Viviane Urio, Oriane Joubert, and Marie Ruchat bring this dark historical period to life with powerful emotion, accompanied by music from Händel, Bartok, Aretha Franklin, and France Gall.

In French.

Cour de Saint-Pierre 10,
1204 Geneva
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Photo Credit: Brûle sorcière !

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Wednesday 19 November, 20:00

To kick off the Les Créatives festival, Alhambra hosts a concert featuring Draga, a musical project inspired by Monique Wittig’s “Les Guérillères,” alongside the Swiss group Cocon Javel. Draga, comprising Lucie Antunes, Anna Mouglalis, P.R2B, Théodora Delilez, and Narumi Herisson, delivers an energetic performance fusing activist rock, krautrock, analog electro, and post-punk. Cocon Javel, recognized for their intense and transformative music, blends electronic, experimental, pop, and rock styles, with their debut EP set for release in early 2025.

18 – 23 November

In Un volcan silencieux, sociologist and director Diane Muller reconnects with ten former classmates from Dijon, all born in 1979. Through open interviews, she explores how gender, class, and societal expectations have shaped their lives — from romantic ideals to motherhood and solitude. On stage, their voices are transmitted live, creating a powerful, intimate portrait of a generation.

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Wednesday 19 November, 20:00

The Ensemble Temenos with Chouchane Siranossian presents a concert dedicated to Jean-Féry Rebel at the Lutheran Church of Geneva. This program delves into the instrumental music of Rebel, a violinist with the King’s 24 Violins and a composer for the Royal Academy of Music, who was both a student and legacy-bearer of Lully. Featured are the Trio Sonata “La Flore”, the solo violin sonatas from Opus 2, and the Sonata No. 7 in C minor “Tombeau de Monsieur de Lully”. The performance highlights the fusion of French dance and Italian influence, celebrating Rebel’s discreet virtuosity and characteristic stylistic harmony.

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