Benoît Billotte creates drawings that extend beyond paper into immersive installations, blending science, natural materials, and artisanal techniques to explore our relationship with living beings. An original work, presented in dialogue with students’ creations, will be unveiled during the opening.
La Cuisine des Collectionneurs is a convivial, evolving exhibition where contemporary art meets gastronomy. The project invites four collectors to curate walls from their personal collections. It blends scenography, shared collecting, and a collective display, extended into the kitchen through an ephemeral menu inspired by their worlds. Conceived as a living space, the exhibition unfolds with talks, meals, and gatherings over time, celebrating exchange, generosity, and the pleasure of art—on the walls and on the plate.
In Atmosphères architecturales, Pascale Badaf explores early 20th-century modern architecture through painting, drawing on references ranging from Frank Lloyd Wright and Mies van der Rohe to cinematic influences. Her oil paintings transform villas, industrial buildings, and aquatic landscapes into quiet, enigmatic settings where light becomes a central narrative force. Devoid of human figures yet charged with subtle signs of presence, these carefully staged architectural scenes invite viewers to inhabit spaces suspended between realism, illusion, and imagination.
Opening on Thursday 15 January, from 18:00.
Also open during the Nuit des Bains on Thursday 22 January, from 18:00.
Vibração das Cores brings together seven Brazilian artists whose practices interweave memory, movement and cross‑cultural belonging between Brazil and Geneva. Painting, sculpture, installation, mosaic, drawing and mixed media engage in a vibrant dialogue of colour, material and rhythm.
Sergio Augusto’s dreamlike canvases, Miriam Da Silva’s score‑like colour rhythms, Karla Gomes’s spiralling abstractions, Zaq Guimarães’s cellular constellations, Isabela Pot’s luminous mosaics, Cleide Saito’s playful figurations and Edgard Soares’ found‑object sculptures reveal inventive visual languages that evoke emotion, narrative and formal freedom.
Opening Thursday 29 January 18:00.
Closing reception Sunday 8 February from 14:00.
Beat Zoderer’s first exhibition with lange + pult in Geneva presents a new series of works inspired by the economy of haiku. In these small-format pieces, the artist translates brevity, precision, and tension into the pictorial field through grids and modular patterns. Layered, translucent colors create subtle depth and shifting perceptions, while recurring square motifs generate a restrained yet vibrant rhythm. Rooted in concrete art, the series stands out for its quiet, almost meditative quality, where meaning emerges from the balance between form, color, and visual silence.
Opening on Thursday 15 January, from 18:00.
An intimate two-part retrospective of Aimée Moreau presents a focused selection of previously unseen drawings alongside her paintings. The show highlights the artist’s quiet, sustained practice—works on paper that reveal sensitivity, restraint and a poetic attention to everyday objects. Together, drawings and paintings invite a renewed contemplation of ordinary forms and the subtle rhythms of domestic life. The exhibition was organised with the artist’s heirs, Sophie and Barbara Kervaire.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
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