ClassiCosy presents the renowned Quatuor Strada in a complete cycle of Beethoven’s 16 string quartets, spread across seven concerts at Théâtre des Salons. This musical marathon celebrates the composer’s masterpieces, from early quartets influenced by Mozart and Haydn to the mature and transcendent works of his later opus. The performances offer a profound exploration of the human soul and a distinctive spiritual experience for music lovers in Geneva.
Marc Ribot, a restless guitar legend, delivers an incandescent solo set that fuses jazz and Latin influences into a singular sonic journey. A catalyst of sounds, Ribot has shaped entire musical worlds alongside Tom Waits, the Lounge Lizards and Jim Jarmusch, and his recent album Map of a Blue City (2025) further confirms his adventurous virtuosity. In concert his playing becomes an immersive exploration of texture, rhythm and melody, moving from tender intimacy to volcanic intensity.
Created by the company Alliance Créative, COMME UN LUNDI is a fully improvised theatre piece that probes the textures of modern work life. The five performers — Nina Cachelin, Deborah Chirenti, Malik Kaufmann, Adrien Laplana and Eric Lecoultre — conjure shifting office micro-worlds, from awkward ambition to quiet complicity. Through rapid character shifts, minimalist staging and elastic rhythm, the troupe maps rivalries, unspoken desires and the absurdity of ‘bullshit jobs’, producing moments both comic and quietly unsettling.
In French.
Inspired by the accounts of women mountaineers, this performance intertwines mountaineering, feminism, and ecology. Two women, united against the elements, commemorate a vanished glacier, confronting fear and hope. The mountain emerges as a symbol of both endangered nature and the solidarity of humanity in need of rebuilding.
In French.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.
In French.
Directed by Joël Maillard and adapted from Nina Yargekov’s novel, Double nationalité is a choral theatrical investigation into identity and its contradictions. Four actresses — Cécile Goussard, Mélina Martin, Alicia Packer and Marie Ripoll — embody a single heroine and the chorus of her inner thoughts, navigating bilingual disorientation, memory and fantasy. Mélissa Rouvinet’s scenography, Antoine Françoise’s music and Édouard Hügli’s lighting create a dreamlike, often sharp atmosphere. Production by Cie SNAUT; costumes by Coralie Chauvin and sound by Cédric Simon.
In French.
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