Wednesday 28 October, 19:30

Antigel Festival – Dirty Three

Performances

Alhambra

Booking Required

Led by Warren Ellis (violin) with Mick Turner (guitar) and Jim White (drums), Dirty Three craft expansive instrumental narratives that blend post‑rock, folk, classical and free jazz. Their music moves through intimate, quiet passages to sweeping, cathartic crescendos, built from delicate interplay and raw timbre. The trio’s return with Love Changes Everything (2024) deepens their reputation for emotive soundscapes and intense live catharsis. Their long collaborations with artists like Nick Cave, Cat Power and Bonnie “Prince” Billy underscore a singular voice in contemporary alternative music.

Rue de la Rôtisserie 10,
1204 Genève

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Photo Credit: DR

27 March – 2 April

Pour un temps sois peu

Performances

La Comédie de Genève

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

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24 – 29 March

Poems in Jazz

Performances

Théâtre des Amis

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

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28 & 29 March

Qui a tué mon père

Performances

La Comédie de Genève

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

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19 – 29 March

La tête ailleurs

Performances

Théâtre Alchimic

Performed by Camélia Acef and Youri Rebeko, La tête ailleurs is a light, comic musical about Norah, who can’t help hearing songs in her head whenever she tries to concentrate. The piece slides between Broadway-classic, funk, pop and tango, treating the intrusive melodies as a playful yet unsettling manifestation of the unconscious. The staging balances energetic numbers and intimate moments, probing memory and identity. The show was nominated at the 2025 Trophées de la Comédie Musicale (Best Book; Revelation Masculine for Youri Rebeko).

In French.

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26 – 29 March

La baleine 52 hertz

Performances

Maison de quartier Sous l’Etoile

Created by Collectif Humagine, La baleine 52 hertz examines autism and neurodivergent thought through intimate theatrical language. Written and performed by Valentina Luporini and Cédric Schaerer, the piece pairs Luporini’s dramaturgical voice with Schaerer’s multi-instrumental practice to shape its soundscape. The company, founded in 2023, draws artists from theatre, circus and music to explore compensation mechanisms, learning processes, emotional load and the distinct languages of autism, with a focused attention on feminine expressions often underdiagnosed.

In French.

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19 – 29 March

Castor & Pollux – by Jean-Philippe Rameau

Performances

BFM

Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.

In French, with English subtitles.

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Antigel Festival – Dirty Three