With her Hope Tour, Angélique Kidjo brings one of Africa’s most remarkable voices to life. A Grammy winner, she blends West African roots with Afrobeat, soul and funk to build a vibrant, rhythmic soundscape. Songs like “Mother Nature” bridge generations from Salif Keita to Burna Boy, affirming dignity, solidarity and joy. Backed by a dynamic band, Kidjo radiates passion and rhythmic intensity, transforming the evening into a celebratory journey of movement, warmth and communal energy.
Ensemble Sinfonietta Bern performs the spellbinding soundtrack of Hayao Miyazaki’s Spirited Away, weaving Joe Hisaishi’s luminous orchestration into a live cinematic experience. The music underscores themes of courage, resilience and the uncanny as the film’s enigmatic spirit world unfolds. Delicate solos and sweeping textures evoke the film’s emotional arcs, while the ensemble’s intimate dynamics reveal hidden details of the score. The result is a transporting sonic journey that balances wonder, melancholia and communal memory.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
La Jazz Night Latina is an open, high-energy evening where the stage belongs to everyone. Led by percussionist Edwin Sanz, the night begins with a live set from the musician and his hand-picked ensemble, before opening into a jam session where players of all levels are invited to join in and explore Latin repertoires together.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.
Opening : during the Nuit des Bains, Thursday 12 March, 18:00
Closing event : in conversation with Marc-Olivier Wahler, Tuesday 12 May, 18:00-21:00
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