Friday 8 May, 21:00

Alfio Origlio & Marc‑Olivier Savoy / The Klopfenstein Twins

Booking Required

Two duos meet in an evening of intergenerational jazz dialogue. Alfio Origlio (piano), acclaimed for a vast discography, pairs with Swiss drummer Marc‑Olivier Savoy to move between jazz, classical references and spontaneous improvisation. The Klopfenstein brothers—Mattias (sax) and Pablo (p)—bring youthful energy and tight familial interplay. Together the programmes balance tradition and exploration, weaving lyrical saxophone lines, rhythmic openness and intimate dynamics that invite close listening and a sense of shared musical freedom.

Passage de la Radio 2,
1205 Genève

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Photo Credit: DR

21 – 25 April

C’est Déjà Demain.14

Performances

Multiple locations

C’est déjà demain.14 is a festival that presents emerging creators from the Romande scene. The fourteenth edition gathers prototypes, first works, Bachelor and Master performances and short extracts in compact, experimental formats.

Artists explore form and language, blending theatre and performance in hybrid approaches that favour risk, raw material and close encounters with audiences. The programme offers a concentrated view of new dramaturgies and staging practices, and highlights projects in development.

In French.

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Tuesday 21 April, 20:00

Dee Dee Bridgewater

Performances

Victoria Hall

Led by Dee Dee Bridgewater (vocals), the Quartet — with Carmen Staaf (piano), Rosa Brunello (bass) and Shirazette Tinnin (drums) — presents the project “We Exist!”. The performance weaves expressive, elegant jazz that connects past and present through warm phrasing and incisive improvisation. The quartet’s interplay and subtle arrangements create an intimate, luminous atmosphere, shifting between tender balladry and buoyant swing. The result is a heartfelt, commanding musical journey that balances virtuosity with deep emotional warmth.

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21 April – 10 May

Ivanov

Performances

Théâtre de Carouge

Chekhov’s Ivanov follows Nikolai Ivanov, a middling Russian landowner crushed by debt and by the slow decline of his wife, Anna Petrovna, who is dying of tuberculosis. Across four acts, his inertia curdles into melancholy and self-destruction, swinging between biting comedy and harrowing despair. Written in a ten-day burst in 1887, when Chekhov was only twenty-seven, the play crackles with youthful urgency as tragedy and humor intertwine.

Director–actor Jean-François Sivadier infuses this new staging with his distinctive theatrical energy, pairing veteran performers with fresh faces to reignite the play’s original heat. Echoing Gustav Mahler’s dictum that “tradition is not the worship of ashes, but the preservation of fire,” the production seeks to keep Chekhov’s raw, combustible spirit blazing on today’s stage.

In French. Ages 16 and up.

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21 – 23 April

Oh dear, how do we deal with vanished sparks?

Art & Exhibits Performances

L'Abri

Victor Delétraz’s solo investigates image and the moving body across past, present and future, probing the vulnerability of human pursuits and the tension between hidden and visible. Video interweaves with choreography, found objects, light, sound and text to create a fragmented, anachronistic structure where multiple voices, at once comic, cartoony, political and dramatic, collide. The presentation, framed within the festival C’est déjà demain, emphasizes exploration and the beginnings of artistic form.

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21 – 25 April

Baptiste Cazaux — That’s Twisted

Performances

Pavillon ADC

Baptiste Cazaux presents a fragmented physical dance work that upends the senses. As choreographer and performer, Cazaux sculpts an explosive, hyperkinetic body that collides gestures, styles and sonic fragments like a DJ scratching samples. That’s Twisted mixes pop hymn nostalgia from the 2010s with a psychedelic collage of movement and sound, destabilising time, affect and perception. The piece traces contemporary melancholy and seeks transcendence through layered rhythms, distorted textures and sudden shifts in intensity. Création 2026, coproduction.

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21 April – 2 May

46 Rue de Berne

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this theatrical adaptation stages two periods of Grisélidis Réal’s life simultaneously, split between a dignified elder confronting illness and a vibrant earlier self. Martine Schambacher and Françoise Courvoisier embody these contrapuntal figures; assistant director Léa Déchamboux supports the staging. Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Nicolas Le Roy’s sound design sculpt intimate, lyrical atmospheres. Drawing on Grisélidis’s letters, the piece blends lyricism and fury into a raw, elegiac portrait of life and writing.

In French.

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Alfio Origlio & Marc‑Olivier Savoy / The Klopfenstein Twins