At 24, Adèle Castillon channels intimate confessions into a luminous pop performance. The singer, first known as half of Vidéoclub, blends electro-pop textures with fragile vocal lines to explore heartbreak and addiction. Signed to Iconoclast and collaborating with producer Surkin, her songs mix nostalgic synths and modern pop sensibilities. Lighting and subtle arrangements cradle her voice, creating an introspective atmosphere that moves between wistful tenderness and raw emotional clarity.
Pour célébrer son 15e anniversaire, le Festival Assemblage’s invite certaines des compagnies qui ont le plus marqué son public ces dernières années à présenter leurs nouvelles créations. Réunissant des artistes venus de toute l’Europe et ouvrant cette édition 2026 avec une grande comédienne genevoise, le festival promet une programmation exceptionnelle de théâtre et de spectacles contemporains.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Presented by ClassiCosy, this concert brings together the Trio Messiaen — Vassily Chmykov (violin), Volodia van Keulen (cello) and Philippe Hattat (piano) — in a programme linking Europe and the United States. Works by Thierry Escaich, Maurice Ravel and an orchestral suite after Gershwin’s Porgy and Bess (arranged by the trio) reveal cross-currents between art music and popular styles. Rhythms ranging from Basque motifs to jazz and Afro‑Cuban pulses shape an intimate, colour-rich sonic journey.
Le Truc sur le feu is a playful, offbeat fable that examines how the domestication of fire shaped human life. Written by Romane Nicolas, the piece stages two Paleolithic clans who wonder, clash and ignite as puppets by the Kokoschka tradition bring grotesque situations to life. With incisive humour and sharp theatricality, the show confronts ideas of progress, individuality versus community, animality and civilisation, offering a vividly staged reflection on the choices that set societies alight.
In French.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
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