Directed by Laurent Pelly and conducted by Jader Bignamini, Rossini’s Le Voyage à Reims is a lavish, meta-lyric comedy that reunites an array of virtuoso soloists. This new production plays on ceremonial pageantry and intimate comic intrigues, blending sparkling ensembles with lyrical soliloquies. The reconstructed score offers both historical colour and theatrical wit, realised through elegant staging, precise musical leadership and a vivid ensemble that turns Rossini’s coronation music into a glittering celebration of the operatic art.

In Italian.

Given carte blanche, Beatrice Berrut unveils a world where classical heritage meets rock and electro. Pianist, singer and composer Beatrice Berrut performs her own surprise programme, accompanied by Nadir Graa on electric bass. The music blends introspective piano writing with pulse-driven textures and subtle electronics, conjuring intimate, immersive soundscapes that move from fragile lyricism to darker drive. The performance invites collective listening and emotional communion.

In French.

Considered the summit of Johann Sebastian Bach’s œuvre and a milestone in music history, the Mass in B Minor transcends genre and time. This monumental, enigmatic fresco unites diverse styles, forms and affects in a single arc. Gli Angeli Genève’s singers, both soloists and ripienists, join players from the Orchestre de Chambre de Genève in a rare side-by-side project under the direction of Stephan MacLeod. The collaboration frames the score as an invitation to encounter voices, instruments and shared sensibilities.