
Victoria Hall is a prominent concert hall housed in a majestic neoclassical building. This historic venue is celebrated for its exceptional acoustics, making it a favored destination for music enthusiasts. While occasionally featuring other musical genres, Victoria Hall remains predominantly dedicated to the world of classical music.
Conductor Daniele Gatti leads a program of Beethoven’s Symphonies Nos. 1, 4 and 5, tracing the composer’s journey from Classical roots to a daring, individual voice. Symphony No. 1 reflects Haydn and Mozart’s clarity while hinting at Beethoven’s temperamental drive. The luminous No. 4 unfolds singular inventiveness and elegance; the No. 5 embodies struggle and triumphant affirmation. The performance emphasises orchestral textures, dramatic contrasts and rhythmic propulsion, immersing listeners in the boldness, creativity and elemental power of Beethoven’s sound world.
Join the Orchestre de la Suisse Romande for a family decoding of Beethoven’s Symphony No. 5 led by Daniele Gatti and introduced by Thierry Weber. Through playful commentary and musical extracts, children will hear how the famous opening notes evolve, feel dynamic contrasts, and follow the journey to the final chord. The presentation blends live performance with accessible explanations to spark curiosity and imagination in young listeners.
In French. Kids ages 6 and up.
Flutist Emmanuel Pahud and pianist Eric Le Sage present a programme of classical and romantic gems by Wolfgang Amadeus Mozart, Clara Schumann and Robert Schumann. Pahud’s own adaptations for flute and piano bring a fresh intimacy to the music, highlighting lyrical phrasing and subtle chamber dialogue. The recital balances clarity of line with warm, expressive colours, offering a contemplative and richly textured listening experience focused on nuanced interaction between soloist and piano.
Presented in collaboration with the Orchestre de la Suisse Romande and the Concours de Genève, this cycle highlights emerging composers and conductors in a series of high-level performances. Candidates present new works and conduct symphonic programmes, forging a direct dialogue with the orchestra and showcasing contemporary compositional voices alongside established repertoire. The events emphasize craft, mentorship and concentrated insight into compositional technique and conducting interpretation.
Le Motet de Genève marks its centenary with a concert devoted to Giuseppe Verdi’s Nabucco in concert performance under the direction of Romain Mayor. The choir presents a dramatic and sonorous reading of Verdi’s score, emphasising choral grandeur and theatrical intensity. The production focuses on vocal colour, ensemble cohesion and a faithful yet expressive interpretation that highlights the work’s historical and emotional resonance.
Conducted by Romain Mayor, this programme offers a musical journey through excerpts from Giuseppe Verdi’s Nabucco. The Orchestre de la Suisse Romande steps out of the pit to present its lyrical expertise on stage, supporting the powerful choir Le Motet de Genève and delivering majestic soprano arias. Maria José Siri brings intense vocal presence, highlighting the drama and emotional breadth of Verdi’s score in a concentrated, theatrical arrangement.
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