
Victoria Hall is a prominent concert hall housed in a majestic neoclassical building. This historic venue is celebrated for its exceptional acoustics, making it a favored destination for music enthusiasts. While occasionally featuring other musical genres, Victoria Hall remains predominantly dedicated to the world of classical music.
Led by principal conductor and artistic adviser Tugan Sokhiev with Yefim Bronfman as soloist, this programme is devoted to the towering works of Sergei Rachmaninoff. Bronfman’s formidable technique and lyrical intensity meet Sokhiev’s dynamic direction in the Piano Concerto No. 3, followed by the symphonic sweep and romantic grandeur of the Second Symphony. The evening balances virtuosic fireworks with brooding lyricism, drawing the orchestra into rich textures and cinematic climaxes.
Under the baton of Alan Gilbert, this symphonic concert features pianist Beatrice Rana in Robert Schumann’s Piano Concerto in A minor op. 54, framed by evocative orchestral works by Lili Boulanger, Claude Debussy and Maurice Ravel. The programme moves from intimate lyricism to impressionistic colour and culminates in the sweeping, pastoral drama of Ravel’s Daphnis et Chloé. The orchestra’s rich textures and dynamic contrasts deliver a refined, immersive experience.
Conductor Daniele Gatti leads a program juxtaposing Robert Schumann’s Violin Concerto in D minor with Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92. Norwegian violinist Vilde Frang is the soloist, shaping Schumann’s lyrical intensity with crystalline phrasing. The orchestra navigates contrasts between intimate lyricism and rhythmic vitality, foregrounding dynamic drive and orchestral color. Expect a concentrated, emotionally charged evening that highlights nuance, dramatic sweep and the communicative power of Romantic and early-Romantic repertoire.
Renowned pianist Grigory Sokolov presents an intimate solo recital that invites close listening and profound reflection. Known for a singular poetic touch, Sokolov shapes each phrase with meticulous clarity and emotional depth, revealing fresh facets of the repertoire. With a pared-back aesthetic and powerful expressivity, the performance privileges nuance, silence and concentrated musical discourse. The programme will be announced later; the focus remains on the pianist’s interpretative intensity and pianistic refinement.
Directed by Martyna Szymczak and presented by composer Anne-Claire Rey-Bellet, Destination Zoopolis brings new animal characters from the Zélie-Chansons alongside familiar figures from Saint‑Saëns’s Le Carnaval des animaux. This lively, intimate concert blends playful vocal textures and orchestral colour, inviting audience participation as new creatures are introduced. The staging promises a lush, joyful atmosphere that transforms the hall into a musical jungle, full of character and humour.
In French.
Under the direction of Stephan MacLeod, Gli Angeli Genève presents a programme of luminous classical works blending rhythmic vitality and lyrical introspection. The evening juxtaposes Beethoven’s Symphony No. 7, Op. 92, with Schubert’s shorter Eine kleine Trauermusik and the tender, enigmatic Unfinished Symphony in B minor. The orchestra’s refined phrasing and transparent textures reveal sculpted dynamics, vibrant tempos and aching lyricism, inviting listeners into a richly expressive sound world.
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