Théâtre du Grütli

Théâtre du Grütli

The Grütli defines itself as a “center for the production and dissemination of the performing arts.” It offers a rich tapestry of live performances, spanning theater, dance, and local artists’ showcases. As a contemporary theater, it concentrates on current themes and local narratives, serving as a lively hub for contemporary theater. Additionally, the Grütli houses a cinema and a café.

Rue du Général-Dufour 16,
1204 Genève

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All Events at this Venue

29 August – 7 September

Thibault Lac & Collin Cabanis / Delphine Hecquet & Clémentine Le Bas

SIX/SIX is a bold creative project where six young performers—two from dance, four from theatre—collaborate with choreographers or directors of their choice to create original solo pieces that place the performer at the center of the artistic process. In Fanfaron, dancer Collin Cabanis, guided by Thibault Lac, embodies a melancholic, time-warped clown navigating personal and global unrest with both gravity and absurdity. In Tout entière, Clémentine Le Bas, directed by Delphine Hecquet, channels the enigmatic photographer Vivian Maier, capturing her silent intensity and the elusive truth behind every image in a theatrical exploration of identity and artistic legacy.

31 August – 7 September

Sophia Rodriguez & Emma Perez / Lola Giouse & Ali Lamaadli

SIX/SIX revives La Bâtie’s daring format in which six emerging performers—two from dance, four from theatre—each craft a solo with a chosen choreographer or director, renewing stage writing by putting the interpreter centre stage: in “Archaeology of a Phantom Dance,” Emma Perez, guided by Sophia Rodriguez, excavates the inherited gestures and erased presences embedded in her body, while in “Pièce de chambre,” Ali Lamaadli, accompanied by Lola Giouse, turns a playful memory game into an intimate exploration of personal and collective recollection.

In French.

3 – 7 September

Nina Negri & Dylan Poletti / Mathilde Morel & Kenza Zourdani

Summoned to court without knowing the charges and mistaken for someone else, the poet Kenzaka chooses to embrace the accusation, revealing a deeper, intimate remorse. “Hapax” ou “La Comparution Immédiate” blends the poetic writings of Kenza Zourdani and Mathilde Morel to explore themes of mistaken identity, collective guilt, and the limits of language and theatre in the face of overwhelming violence.

In French.

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