
Situated on Route de Chancy, the Salle Communale d’Onex is a versatile venue that hosts a diverse array of cultural events throughout the year, including concerts, theater performances, and various shows catering to audiences of all ages.
Swiss-Italian comedian Massimo Rocchi returns to celebrate fifty years on stage with Et du coup, blending comedy, mime and satire. Trained in theatre in Bologna and in mime in Paris, he dissects everyday Swiss life and languages with sharp, playful observation. His mastery of physical expression, poetic gestures and taste for the absurd promise abundant laughter and thoughtful distance on social quirks. The performance balances engaged humour and subtle theatricality, delivered by a seasoned and distinctive stage artist.
In French.
Based on interviews between Gisèle Halimi and journalist Annick Cojean, this intense biographical play traces the tireless life of the lawyer and activist. Directed by Léna Paugam, the staging relies on two actresses who embody Halimi and other women, delivering powerful testimony through intimate performance, sculpted lighting and precise direction. Themes of feminist struggle, anti-racism and opposition to torture resonate throughout, offering an emotionally charged portrait that invites reflection and commitment.
In French.
Written by François Descraques and set to music by composer PV NOVA, Fabuleux! is a lyrical musical inspired by a true story. Through the eyes of young Henry Dickens, enchanted shadow-puppet sequences and intimate songs bring Hans Christian Andersen’s tales to life. The staging blends nostalgic domestic scenes with playful, fairy-tale atmospheres, tracing a boy’s emotional journey as imagination becomes a source of inner strength and growth.
In French.
Mathieu Madenian’s fourth solo show mixes observational comedy and gentle tenderness as the performer reflects on becoming a father later in life. Drawing on the arrival of his son Milo, now two, he interrogates contemporary anxieties—asking ‘Why have a baby in a world that’s burning?’—and transforms doubt into humour and warmth. The piece balances sharp social reflection with intimate, self-deprecating storytelling, carrying audiences between laugh-out-loud moments and quiet emotion.
In French.
Performed by Fred Radix, La claque revives the forgotten craft of the claqueurs — professional applauders — in a witty, refined one-man theatre piece. Set in a Parisian playhouse of 1895, Radix embodies Auguste Levasseur, who must recruit a new team with the help of Fauvette, musician, and Dugommier, stage manager. The show blends interactive, poetic and musical moments, shattering the fourth wall to make theatre vividly present.
In French.
Led by the company La Poursuite du Bleu and directed by Samuel Valensi and Paul‑Eloi Forget, Made in France is a biting satire that follows Émile, an ex-convict who returns to work in a factory and becomes head of the union to save his colleagues after a delocalisation is announced. The staging is dark and spare, with a constant drum score that drives the rhythm. Part Chaplin-like cinematic fable, part political comedy, the piece balances absurdity and human warmth.
In French.
Culture, curated weekly.
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