Le Rez-Usine, part of the Usine complex housed in a repurposed factory in Geneva’s Jonction district, is a concert venue run by a non-profit cultural association. A key player in the Swiss music scene, it offers a diverse and avant-garde lineup, showcasing genres from psych rock and post-punk to dub and dada rap. Renowned for its dedication to cultural and musical diversity, Le Rez stands out for its inclusive ethos, its support of artistic residencies, and its resistance to commercial trends. The venue also fosters strong collaborations with local collectives, maintaining its position as a cultural hub.
La Colonie de Vacances gathers members of Electric Electric, Marvin, Pneu and Papier Tigre into a sprawling, 18‑musician ensemble that deploys a quadriphonic sound system placing the audience at the heart of four stages. Rooted in noise-rock experimentation, the collective explores polyrhythms, trance-like grooves and uncanny harmonies, crafting enveloping sonic architectures that shift perspective and intensity. This farewell project channels improvisation and compositional rigor, inviting deep, multi-layered listening and a theatrical collapse of performer–audience boundaries.
With a flawless discography, Jazzy Bazz has established himself as an uncompromising craftsman of French rap. Raised in Paris’s 19th arrondissement, he honed his voice with La Cool Connexion and the cult collective L’Entourage. His meticulous lyricism and patient, sincere approach elevate each track. The latest album, Nirvana, reflects on time and inspiration, marking an artistic evolution that favors depth over mass production.
In French.
Pisse formed in Germany in 2012 and quickly established itself on the country’s punk scene. The band tackles heavy themes with a sharp, black humour, pairing synths, theremins, rapid tempos and an instantly recognisable voice. On stage their abrasive energy and unsettling melodies create cathartic, sardonic performances that shift between controlled chaos and a clear musical signature, delivering a provocative, darkly comic punk experience.
Self-taught singer-songwriter and beatmaker Danyl began publishing live tracks on Twitch. Of Franco‑Algerian origin, he blends raï, US rap and French chanson to create a personal sound. His collaborations include Zamdane, Tuerie, DJ Kore, Oxmo Puccino, Stony Stone and Rim’K. On his first album ZMIG (2026) he reclaims a pejorative term to probe social determinism and the double stigma of his origins. The music resists categorization while pushing cultural boundaries.
After 13 years, the duo The Dreams — Armelle and Nafi — return to the stage with a brief reformation revisiting songs from Heimat, Noir Boy George, Crack und Ultra Eczema, Badaboum, Scorpion Violente and Le Chômage. Their sound blends cold‑wave textures with tropical grooves and reggae undertones, evoking connections to Suicide, Slits, Sonic Youth, Bob Marley and The Police. Their sole album Morbido (2011), reissued by Replica Records/La face cachée, frames a dark, luminous minimal pop.
La P’tite Fumée returns with an explosive live set that fuses psytrance energy and cyberpunk atmospheres. Their electro-acoustic palette blends didgeridoo with hypnotic guitar and flute lines over driving rhythms. New vocal elements join the band’s signature instrumental textures, adding sharp flows and communal hooks. The reworked live show emphasizes visceral dynamics, dense sound layers and raw intensity, offering a powerful, immersive concert experience that bridges tradition and modern electronic experimentation.
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