Directed by Julien Gosselin, Maldoror stages a rigorous dialogue between Roberto Bolaño and Lautréamont in a triptych that probes the relation between literature and evil. The production confronts violence, the Chilean dictatorship and the spectre of Nazism through a hybrid language of theatre, video and electronic music. A large ensemble — including Guillaume Bachelé, Rita Benmamman and Joseph Drouet — navigates dense imagery and moral ambiguity, in a confrontational, immersive mise-en-scène.

In French.

Directed by Adrien Barazzone, À l’article de la mort stages a tense newsroom conference where ideological fractures explode amid rumours of a corporate takeover. This claustrophobic, dialogue-driven play pits editorial ethics against institutional power and tests artistic freedom as the finale of Barazzone’s ‘Trilogy of Systems’. Sparse staging and a focused ensemble heighten moral conflict and urgency, offering a hard-hitting examination of truth, responsibility and the cost of dissent.

In French.

Created by the company Shōnen, Vision brings together four performers who are dancers, singers, musicians and actors, some with varying degrees of visual impairment. The piece proposes an inclusive stage language that relies on sound, touch and mutual support to reshape how space is shared between performers and audience. Through sensitive, sensory staging and subtle choreography, the work invites spectators to shift perspective and perception without relying on sight.

In French.