Don’t just like it, live it!
Presented by Festival du Soir, this Día de los Muertos celebration recreates a vibrant Mexican pueblo with sprawling sets and radiant cempasúchil displays. Live musicians, dance ensembles and visual artists share a programme of folkloric rhythms and contemporary Latin influences, while colourful costumes and immersive staging weave ritual and festivity. The atmosphere alternates between intimate altars and exuberant street-party energy, inviting a sensory journey through memory, mourning and joyful remembrance.
POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.
United Soloists Orchestra presents a nostalgic, high-energy concert of symphonic arrangements of disco and dance hits from the 1970s to the 2000s. Lush orchestral textures meet driving disco rhythms and soulful vocals, with tailored arrangements that spotlight strings, brass and groove. The programme moves across decades, reimagining familiar melodies through orchestral colour and dynamic ensemble playing, creating both cinematic moments and danceable grooves.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Choreographed by Aurélie Dupuis and Zoé Lefèvre of danced stances, Spitting Image is performed by lisa laurent, Marie Popall and Tyra Wigg. Born from the Choréopolice/Choréopolitique research-creation, the piece interrogates choreographies of control and normativity that shape urban space. Using resemblance, mimicry and abrasive vocal textures, it dismantles recurring images and unresolved traces of the past. Intimate gestures and fragmented tableaux create a tense, confrontational atmosphere that examines how collective bodies inherit and refuse inherited forms.
Presented by Festival du Soir, this Día de los Muertos celebration recreates a vibrant Mexican pueblo with sprawling sets and radiant cempasúchil displays. Live musicians, dance ensembles and visual artists share a programme of folkloric rhythms and contemporary Latin influences, while colourful costumes and immersive staging weave ritual and festivity. The atmosphere alternates between intimate altars and exuberant street-party energy, inviting a sensory journey through memory, mourning and joyful remembrance.
POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.
United Soloists Orchestra presents a nostalgic, high-energy concert of symphonic arrangements of disco and dance hits from the 1970s to the 2000s. Lush orchestral textures meet driving disco rhythms and soulful vocals, with tailored arrangements that spotlight strings, brass and groove. The programme moves across decades, reimagining familiar melodies through orchestral colour and dynamic ensemble playing, creating both cinematic moments and danceable grooves.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Choreographed by Aurélie Dupuis and Zoé Lefèvre of danced stances, Spitting Image is performed by lisa laurent, Marie Popall and Tyra Wigg. Born from the Choréopolice/Choréopolitique research-creation, the piece interrogates choreographies of control and normativity that shape urban space. Using resemblance, mimicry and abrasive vocal textures, it dismantles recurring images and unresolved traces of the past. Intimate gestures and fragmented tableaux create a tense, confrontational atmosphere that examines how collective bodies inherit and refuse inherited forms.
Presented by Festival du Soir, this Día de los Muertos celebration recreates a vibrant Mexican pueblo with sprawling sets and radiant cempasúchil displays. Live musicians, dance ensembles and visual artists share a programme of folkloric rhythms and contemporary Latin influences, while colourful costumes and immersive staging weave ritual and festivity. The atmosphere alternates between intimate altars and exuberant street-party energy, inviting a sensory journey through memory, mourning and joyful remembrance.
POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.
United Soloists Orchestra presents a nostalgic, high-energy concert of symphonic arrangements of disco and dance hits from the 1970s to the 2000s. Lush orchestral textures meet driving disco rhythms and soulful vocals, with tailored arrangements that spotlight strings, brass and groove. The programme moves across decades, reimagining familiar melodies through orchestral colour and dynamic ensemble playing, creating both cinematic moments and danceable grooves.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Choreographed by Aurélie Dupuis and Zoé Lefèvre of danced stances, Spitting Image is performed by lisa laurent, Marie Popall and Tyra Wigg. Born from the Choréopolice/Choréopolitique research-creation, the piece interrogates choreographies of control and normativity that shape urban space. Using resemblance, mimicry and abrasive vocal textures, it dismantles recurring images and unresolved traces of the past. Intimate gestures and fragmented tableaux create a tense, confrontational atmosphere that examines how collective bodies inherit and refuse inherited forms.
Presented by Festival du Soir, this Día de los Muertos celebration recreates a vibrant Mexican pueblo with sprawling sets and radiant cempasúchil displays. Live musicians, dance ensembles and visual artists share a programme of folkloric rhythms and contemporary Latin influences, while colourful costumes and immersive staging weave ritual and festivity. The atmosphere alternates between intimate altars and exuberant street-party energy, inviting a sensory journey through memory, mourning and joyful remembrance.
POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.
United Soloists Orchestra presents a nostalgic, high-energy concert of symphonic arrangements of disco and dance hits from the 1970s to the 2000s. Lush orchestral textures meet driving disco rhythms and soulful vocals, with tailored arrangements that spotlight strings, brass and groove. The programme moves across decades, reimagining familiar melodies through orchestral colour and dynamic ensemble playing, creating both cinematic moments and danceable grooves.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Choreographed by Aurélie Dupuis and Zoé Lefèvre of danced stances, Spitting Image is performed by lisa laurent, Marie Popall and Tyra Wigg. Born from the Choréopolice/Choréopolitique research-creation, the piece interrogates choreographies of control and normativity that shape urban space. Using resemblance, mimicry and abrasive vocal textures, it dismantles recurring images and unresolved traces of the past. Intimate gestures and fragmented tableaux create a tense, confrontational atmosphere that examines how collective bodies inherit and refuse inherited forms.
Presented by Festival du Soir, this Día de los Muertos celebration recreates a vibrant Mexican pueblo with sprawling sets and radiant cempasúchil displays. Live musicians, dance ensembles and visual artists share a programme of folkloric rhythms and contemporary Latin influences, while colourful costumes and immersive staging weave ritual and festivity. The atmosphere alternates between intimate altars and exuberant street-party energy, inviting a sensory journey through memory, mourning and joyful remembrance.
POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.
United Soloists Orchestra presents a nostalgic, high-energy concert of symphonic arrangements of disco and dance hits from the 1970s to the 2000s. Lush orchestral textures meet driving disco rhythms and soulful vocals, with tailored arrangements that spotlight strings, brass and groove. The programme moves across decades, reimagining familiar melodies through orchestral colour and dynamic ensemble playing, creating both cinematic moments and danceable grooves.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Choreographed by Aurélie Dupuis and Zoé Lefèvre of danced stances, Spitting Image is performed by lisa laurent, Marie Popall and Tyra Wigg. Born from the Choréopolice/Choréopolitique research-creation, the piece interrogates choreographies of control and normativity that shape urban space. Using resemblance, mimicry and abrasive vocal textures, it dismantles recurring images and unresolved traces of the past. Intimate gestures and fragmented tableaux create a tense, confrontational atmosphere that examines how collective bodies inherit and refuse inherited forms.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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